This original sexual comedy by the director Joël Séria, who also made the popular TV-series “Nestor Burma”, is full of unexpected situations between a man and women. A salesman of umbrellas, Henri Serin (a magnificent Jean-Pierre Marielle), is having sex with all the women of which he paints a portrait and which he encounters during his travels. While one is cooking in her kitchen, he is painting. Once he is invited but immediately expelled when he wants to unfold her traditional ribbon. Henri Serin falls for a very young woman which he can seduce while making a portrait of her. His only friend is a modernist priest (Romain Bouteille) who likes to talk with him in the local bar. Henri Serin does not think of tomorrow and lives “la vie d’artiste”. Life is beautiful and sex is life. Continue reading
Ni Vu, Ni Connu (Neither Seen Nor Recognized) is built around the talents of rubber-faced Gallic comedian Louis De Funes. Our hero is a poacher in a small provincial village, who always manages to stay one step ahead of the Law. Through a fluke, De Funes finds himself the town’s Leading Citizen when he is falsely arrested on another charge, forcing the village elders to bend over backwards making amends.
Blaireau, un braconnier très adroit, ravitaille tout le pays en gibier. Un soir, son ennemi de toujours, le garde champêtre Parju, se fait rosser. Ce dernier, persuadé, à tort, d’être la victime de Blaireau, le fait arrêter. Néanmoins, grâce à un directeur de prison compréhensif et aux attentions de la belle Arabella, son séjour en cellule ne sera pas trop rude. D’autant plus que « l’erreur judiciaire » sera découverte, Parju ridiculisé et le retour de Blaireau au village sera triomphal. Continue reading
As this film opens, Louis (Jean-Hughes Anglade) and Emilie (Marie Trintignant) have just finished making love. Emilie has brought him to her apartment for just that purpose. Theirs is a new relationship, and this is the first time they have made love together. Throughout the movie, naked and relaxed from this encounter, they chat about their lives, their previous lovers, their plans, they have small arguments and reconciliations, and they generally do what people do in those circumstances to get to know one another better. They also caress one another a great deal, preparatory to another bout of lovemaking (never shown). ~ Clarke Fountain, All Movie Guide Continue reading
“A teacher of philosophy discovers a complicated pupil, a seventeen year old girl with a quite cynic and lucid view of the world. He gets involved in helping her to follow the routine of the study, but soon he is fascinated by her and they fall in a passionate love. When the teacher confronts their affair with reality he decides staying with his wife. But the girl will not accept it.” Continue reading
One the best, most serious detectives in France (Gérard Depardieu) is teamed up with a luckless stumble-bum (Pierre Richard) and sent off to Central America to search for the clutzy daughter of a powerful magnate in this fast-paced and funny French farce.
— Sandra Brennan, All Movie Guide Continue reading
In Jacques Tati’s charming – and essentially plotless – pre-Hulot first feature, Tati is Francois, a contented and happy postman in a small, unhurried French village. Francois is at ease with his job and leisurely performs his duties, peddling away on his rounds upon his beloved bicycle. Things perk up when a traveling carnival arrives in town. One of the attractions at the carnival is a film depicting the United States Postal Service’s fast and efficient postal delivery system. The narrator in the film exhorts, “Rapidite, rapidite.” Francois takes up the call, and attempts to Americanize his work style. Continue reading
In the 1930s, Georges de Sarre, a fifteen-year old boy from an aristocratic background, begins his studies in a Jesuit boarding school. He strikes up an immediate friendship with a fellow student of his own age, Lucien. On discovering that Lucien already has a close relationship with another boy, André, Georges contrives to get the latter expelled from the school. Georges then notices Alexandre, a boy who is some years younger than himself, and is struck by his purity and beauty. To Georges’s delight, Alexandre enjoys his company, and the two boys become good friends. They exchange love poems and meet in secret; they can hardly bear to be apart. When one of the priests is on the brink of uncovering the nature of his relationship with Alexandre, Georges manages to get him dismissed for “inappropriate involvement” with his boys. Free from the fear of discovery, Georges and Alexandre pursue their perfect friendship, growing ever closer. But for how long can this idyll continue…? Continue reading