Francis Veber directs this hilarious comedy about François (Pierre Richard), a desperate, novice, bumbling bank robber who takes an ex-con hostage during his attempted hold-up. They are both chased by the police. Jean (Gérard Depardieu) plays the convicted bank robber just released from jail and forced to escape with François. Anaïs Bret portrays François’ 6-year-old autistic daughter, and is the reason why he needed money so badly that he would steal for it. An inventive series of farcical situations and witty dialogue keeps the two men moving one step and several missteps ahead of the police. This comedy was so successful that Veber repeated it in 1989 for English-speaking audiences as Three Fugitives, starring Nick Nolte and Martin Short.
— Eleanor Mannikka, All Movie Guide Continue reading
After lecturing her sister on the evils of fake orgasms, Louise, a self-obsessed twenty-something, gets her come-uppance the next morning when she discovers that she has “lost her clitoris”, a misfortune she doesn’t hesitate to communicate, loudly and explicitly, to anyone who’ll listen.
It’s a shame that so many of the characters and situations in this movie, from the gay best-friend to the sex guru with his herbs to the celibate neighbour to the old ladies discussing orgasms, feel like a parade of comedy stereotypes. The falseness and banality of these sketch-like scenes conflict awkwardly with the pseudo-documentary discussions of female sexuality that the director inserts with great earnestness throughout the film.
The film’s saving grace is Marie Gillain, who pulls off the near-impossible task of making the infuriating, egotistical Louise both watchable and sympathetic. (in IMDB) Continue reading
Lily and Clara are two sisters who could not be more different. Lily inhabits a fantasy world, in harmony with nature, carefree and exuberant. She lives with her elderly mother in the old family house in the country. Clara, by contrast, is a city-dweller who lives a far more hectic life. When her mother dies, Clara is prompted to radically change her priorities and decides to devote herself to looking after Lily. Under her younger sister’s influence, Clara begins to experience a new zest for living… Continue reading
Le Démon du passage (The Demon of Passage)
35 mm – 14’ – 1995
“Fictional” reconstruction of the chain of mental images that make the visions of the photographer Jean-Luc Moulène appear. Continue reading
Lola is still a virgin at the age of twenty-five. Her friends decide to stick their noses into it. Memoirs of a Disturbed Young Lady is the story of a mad chase after a politically correct loss of virginity. Continue reading
Mila (Serreau) lives in a leafy utopia in another neck of the galaxy but, with her part Earth ancestry, has a hankering to look the old place over. She’s dismayed to find inedible food, unbreathable air, noise and a bad idea called money. With her superior mental powers, though, she easily copes with bad tempered motorists, heartless social workers and the like, brainwashing them until they can appreciate the beauty in a lettuce leaf. The film offers acrobats, kittens, an orphan Serbian baby and an unwittingly offputting account of the Green Party line. Continue reading
‘Jean is 35 and still lives with his mother in the small Corsican town where he was born. His future is clearly mapped out for him – to take over the running of the family restaurant. But one day something happens that sets him on new and unexpected course. He meets Nora, a young woman who has just been thrown into the sea from her racing yacht. Nora awakens something in Jean, a sense of adventure, a yearning for new experiences. Jean’s life has only just begun…’
– Films de France Continue reading