Rick Todd uses the dreams of his roommate Eugene as the basis for a successful comic book.
Ignatiy Vishnevetsky wrote:
There’s a meaty essay to be written about the lengths to which modern-day Americans will go to distance themselves from Jerry Lewis. Lewis represents the unrefined tastes of some earlier era of moviegoing, explained away through pejorative references to “slapstick” and “the French.” (Never mind that Lewis was never as popular abroad as he was in the U.S.) The truth, of course, is that though Lewis produced his share of dross, the gold remains pretty damn funny, and the stuff that isn’t funny tends to be strange and formally audacious in a way Hollywood comedies rarely are. It’s possible to be turned off by Lewis’ mugging (which is fairly relentless) and still appreciate the command of style displayed by his best films, whether it’s the ones he directed himself, or his collaborations with cartoonist-turned-director Frank Tashlin. Continue reading
Will Success Spoil Rock Hunter? was a run-away success. The film is known as Mansfield’s “signature film.”
Will Success Spoil Rock Hunter? is a 1957 American satiric comedy film starring Jayne Mansfield and Tony Randall, with Betsy Drake, Joan Blondell, John Williams, Henry Jones, Lili Gentle, Mickey Hargitay, and a cameo by Groucho Marx. The film is a satire on popular fan culture, Hollywood hype and the ad industry, which was making millions of dollars off the growing revenue from television ads. The film also takes aim at television and the damage it was doing to movie attendance in the 1950s.
It was produced and directed by Frank Tashlin, who also wrote the largely original screenplay, utilizing little more than the title and the character of Rita Marlowe from the successful Broadway play Will Success Spoil Rock Hunter? by George Axelrod. The play had run from 1955 to 1956 and also starred Mansfield as Rita. Continue reading
The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials. The first victim is A.A. the second B.B. and so on. Poirot is assisted in his investigations by Captain Hastings and Inspector Japp. Written by Mike Hatchett Continue reading
The Alphabet Murders is a 1965 British detective film based on the novel The A.B.C. Murders by Agatha Christie, starring Tony Randall as Hercule Poirot. The part of Poirot had originally been intended for Zero Mostel but the film was delayed because Agatha Christie objected to the script. The film varies significantly from the novel and emphasises comedy. Continue reading
Jonathan Rosenbaum of the Chicago Reader wrote:
The best Dean Martin and Jerry Lewis movie (1955) is also Frank Tashlin’s best feature at Paramount, a satire about the comic book craze with explosive uses of color and VistaVision, better-than-average songs, and much-better-than-average costars, especially Dorothy Malone and Shirley MacLaine (the latter giving Lewis a run for his money in terms of goofy mugging). Martin and Malone are comic book artists, MacLaine is a model for the Bat Lady, and Lewis is a deranged fan whose dreams wind up inspiring (or is it duplicating?) comic book stories and the coded messages of communist spies—or something like that. Five cowriters are credited along with Tashlin, but the stylistic exuberance is seamless, and this film eventually wound up providing the inspirational spark for Jacques Rivette’s late, great New Wave extravaganza Celine and Julie Go Boating (1974). With Eva Gabor and Anita Ekberg. 109 min. Continue reading