Fred Kelemen – Verhängnis AKA Fate (1994)

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“The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that’s left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death.
In the centre of this centrifuge at the end of the millennium the Russian emigrant Valery and his lover Ljuba are turning around each other in a nocturnal round dance of desire and pain, hope and violence and the indestructible will to survive.” Continue reading

Fred Kelemen – Krisana AKA Fallen (2005)

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From Time Out London

Slow, portentous, absolutely bloody miserable, the fiercely independent Fred Kelemen’s earlier work was the veritable essence of arthouse gloom, so much so that it often prompted unintentional giggles. After a six-year break, his latest marks a positive shift, packaging his deep-rooted existential angst within a much more involving narrative framework. Shot in lengthy takes in digital black-and-white, matching a sonic backdrop of industrial noise against grimy Riga locations, the presentation is still somewhat self-consciously doom-laden, but this time there’s an effective storyline to draw the viewer into Kelemen’s world.
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