Georg Wilhelm Pabst – Das Bekenntnis der Ina Kahr AKA The Confession of Ina Kahr (1954)

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Synopsis:
‘Told in flashback, the film recounts the events leading up to the killing of good-for-nothing Curt Jurgens. Warned by her friends and relatives that Jurgens is a bad job, impulsive Ina Kahr marries him anyway. His ceaseless philandering and abuse wears away at Ina to the point that she contemplates poisoning her husband…’
– MRQE Continue reading

Georg Wilhelm Pabst – The Mistress of Atlantis AKA The Lost Atlantis (1932)

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Synopsis:

Two soldiers–searching the Sahara for Atlantis–are captured by raiders from the lost city. They are taken before its beautiful queen who has over 50 mummified ex-lovers! What follows is an endless nightmare, climaxing with the murder of one of the soldiers. There are some brilliant moments in this sci-fi fantasy classic.

A pair of Legionnaires discover the remains of the lost city of Atlantis in the middle of the Sahara desert. It is ruled by a strange and beautiful demi-goddess. (guess who). Continue reading

Georg Wilhelm Pabst – Kameradschaft AKA Comradeship (1931)

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Valliant effort to use a mining catastrophe as a vehicle to pronounce this director’s distaste for war. The audience not only learns a great deal about early mining rescue procedures but, we learn that Europeans at the interval between WWI and WWII, had concerning pacifists(for lack of a better term). The speeches given by both representatives of each country at the end of the film, are inspiring given the time. Although the revised edition, through the transfer technology of early foreign films, “cuts-off characters heads” at times, this film holds it’s own in many different aspects. Character analysis, lighting techniques, historical content and a scenario that has tested and inspired many a writer and filmmaker.

Pabst went on to Direct and put to screen Weil & Brecht’s “Three Penny Opera”, starring the original star, Lotte Lenya.
Author: (jrichmon@arts.ucla.edu) from United States Continue reading