Govindan Aravindan – Kummatty AKA The Bogeyman (1979)

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Kummatty is adapted from a Central Kerala folk tale about a partly mythic and partly real magician called Kummatty. Kummatty travels from place to place and entertain children with dancing, singing and performing magic. At one such performance at a village, Kummatty turns a group of children into animals. But one boy, who was changed into a dog, is chased away and misses the moment Kummatty changed the children back to their human form. The dog-boy has to wait a year until Kummatty returns to the village to get back his human form. Aravindan claimed Kummatty to be his personal favourite film. Kummatty won the State award for best children’s film. Continue reading

Govindan Aravindan – Uttarayanam (1974)

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Aravindan’s debut extended a 60s Calicut modernism into cinema, drawing on the work of the writer Pattathiruvila Karunakaran, who produced the film, and the satirical playwright Thikkodiyan, who co-scripted it. The plot is about a disabused young man, Ravi, who has a series of ironic encounters while looking for a job. One of his mentors, Kumaran Master, and his now critically ill friend Setu had participated in the 1942 Quit India agitations with Ravi’s father (shown in flashback). The lawyer Gopalan Muthalaly, also a participant in those events, has become a rich contractor and an example of the corrupt post-Independence bourgeoisie. Ravi abandons the city and, in a mystical ending, is initiated into ‘eternal truths’ by a godman meditating on a mountain. The figures of the father and the ailing friend form a composite portrait of Sanjayan, a political activist, spiritualist and satirist, and major influence on the Calicut artists who participated in the film. Aravindan’s approach to his lead characters and his framing evoke the cartoon characters Ramu and Guruji from his Small Man and Big World series Continue reading