‘Euridice lives imprisoned inside a metaphorical hell-house, in a country ruled by a dictatorship regime.
Having already served her time, she is waiting to be transferred “somewhere else”. However, the State Processor in charge of the prisoners transfers has been mocking her for days… maybe even years.
A long lost lover (Orpheus), contacts her asking to see her again. Euridice accepts, hoping that something will change yet she is also afraid of any changes.’
Synopsis: Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home.
Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks.
In the midst of carnival madness, four duets are staking their claim on their own personal Paradise… Continue reading
On her birthday, 11-year-old Angeliki jumps off the balcony to her death with a smile on her face. An investigation is started as to the reason for this apparent suicide, but the family keeps insisting that it was an accident. Continue reading
In 1969 Athens, a 10 year old boy struggles to come to terms with the sudden death of his father.
…Panayotopoulou brings a rewarding psychological acuity to the way she traces the boy’s tortured reaction, and this extends to the sober, mature performances elicited from the rest of the cast and the unshowy expressiveness of the camerawork.
WH, TimeOut London
Synopsis: Anna lives with her dog Manu. She thinks they will live together forever. When he dies, she buries him in the garden of the family across the street. But unlike Manu, the happy, bustling family does not need her love and affection. September is that ambivalent mood, between endings and beginnings, a struggle to find meaning and happiness out of life’s ordinariness.
from the back cover:
In 1907, in the parts of Greece that are liberated, not all Greeks feel free and the biggest ranges of the Thessalian valley are owned by a few big landowners. The farmers who are forced to work like slaves find in Marinos, a well educated young man, their ideal
representative. Odysseus, son of one of the big landowners, supports Marinos and conflicts with his father and brother, a conflict with a tragic end. Continue reading
While vacationing in Greece with her second husband, Louis Silverman (although she wasn’t all that keen in taking his surname in marriage, director DORIS WISHMAN was more than happy to add her hubby’s handle to her ever-expanding list of pseudonyms), Wishman stumbled upon a small-time film company in desperate need of funds, ultimately returning home with the rights to The Hot Month of August and Passion Fever – purloining both productions for less than $4000. En route back to New York, Doris absentmindedly left her briefcase containing both August and Fever’s translated scripts on a train, forcing her to rewrite the narratives from scratch while overdubbing the original dialogue (a prevalent practice throughout her entire career). Continue reading