Katina, an impoverished Greek woman, tries to arrange the marriage of her shepherd son, Thanos, to Despina, the daughter of a wealthy landowner. But when Despina’s father, Vlahopoulos refuses to give his blessings and wants Despina to marry a more wealthy gentleman, named Yankos. The wealthy and spoiled Yankos plots to break up the romantic union between Thanos and Despina any way possible while the young lovers plot to run away in a futile attempt to being a new life for themselves. Continue reading
A boldly conceived assemblage of diverse and seemingly random fictional materials, Athina Rachel Tsangari’s Attenberg is concerned with nothing less than those hardy perennials: sex, death, and modernity. And coming of age a little too late. Ariane Labed stars as Marina, a twentysomething naïf living in a small Greek city whose inexperience in all matters sexual is mirrored by her disgust for the act. In the film’s semi-notorious, heavily stylized opening sequence, Marina’s only friend, the sexually frivolous Bella (Evangelia Randou), teaches her how to kiss. As Tsangari frames the pair perpendicular to the camera against an abstract background, the two engage in a display of excessive tonguing so comically exaggerated that it only furthers Marina’s disgust. “You’re all slobbery. I’m going to throw up,” she says, before the young women give in to a round of improvised and manic play, spitting and blowing raspberries at each other, then squaring off in a mime of feral cats. Continue reading
During the dictatorship, a young man goes to Paris, where he seeks help from a solitary and almost misanthropic distant relative who works as a furrier. The young man carries with him the photograph of a singer whom he presents as his sister, thus causing a series of misunderstandings which trap him in a vicious circle of lies and fantasies. An allegory in the form of a modern-day tragedy of the “misunderstandings” and deceits of modern Greek History, as seen through the eyes of a Greek of the Diaspora. Continue reading
The first film of the director of Award Winning “Attenberg”. Won Best Film Award in New York Underground Film Festival, USA, 2002 and Lausanne Film Festival, 2002.
Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.” Continue reading
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods. Continue reading
Description: The story of a beautiful teenager girl whose life is turned around when her ex-porn star dad is made (by his producers) to cast her as the lead in his latest x-rated film. A devastating testimony of the rise and fall of Greek family values, an existentialist journey where habit and cruelty are only separated by life and death. Continue reading
One of the most outstanding directors of auteur cinema, Costas Zapas gained international acclaim with Uncut Family (2004) and The Last Porn Movie (2006). With Minor Freedoms his trilogy on the family is complete. Cineuropa: Minor Freedoms is the title of your latest film. However, in the film there is too little freedom. Your characters seem to have no choice. Continue reading