Hans W. Geissendörfer – Die gläserne Zelle aka The Glass Cell (1978)

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From IMDB:

Noteworthy crime movie

A rather forgotten but very interesting adaptation of a novel by Patricia Highsmith. The plot is simple: A man, unjustly convicted for criminal negligence to 5 years imprisonment, gets released from jail and is being increasingly entrapped to a web of jealously regarding his beautiful wife’s activities while he was locked-up. The film adroitly examines the corrosive effects of jealously that gradually generate a form of mental confinement which effectively proves to be equally unbearable with the physical one. It unfolds with almost clinical precision, its use of location is inspired and the performances sharp and convincing (avoid the dubbed English version). The climax could have been stronger but it generally captures the amoralism of Highsmith’s work as well as some other more well-known adaptations of her work. Continue reading

Hans W. Geissendörfer – Die Wildente AKA The Wild Duck (1976)

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Synopsis:

Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the
reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the “happiness of truth”.

Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house.
When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig’s birthday, she doesn’t shoot the duck, but shoots herself instead. Continue reading

Hans W. Geissendörfer – Der Zauberberg AKA The Magic Mountain (1982)

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Synopsis/Background wrote:
Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for …seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 – along with all the other patients – it is only to plunge into the horrors of World War I. Continue reading