This sensitive Asian melodrama chronicles the two major loves in the life of a man who cannot change. The story is divided into two parts; each part focused upon one woman. The story begins in Shanghai during the early 1930’s and follows the loves of Zhen-bao. His early love life abroad is chronicled in the opening scenes. The real story begins as Zhen-pao returns to Shanghai and stays at his friend Wang’s apartment. Zhen-bao meets Wang’s moody, selfish wife Jiao-rui. The two begin a passionate affair. Zhen-bao nicknames her “Red Rose”……. Time passes. In the second half, Zhen-bao is a businessman who woos and marries Yen-li, his “White Rose.” She is from a peasant background and very young. She endeavors to be the perfect wife. More time passes. It is 1943 and Zhen-bao is back to his old ways……… –edited for spoilers from Sandra Berman @allmovieguide.com Continue reading
Hong Kong filmmaker Stanley Kwan directs this stunning supernatural melodrama about a passion, romance, and lost history. Fleur (Anita Mui) is a 1930s high-class courtesan who finds herself sucked into a doomed relationship with Twelfth Master Chan Chen-Pang (Leslie Cheung), the rakish scion of a prosperous business family that disapproves of their union. After a brief but intense courtship, the two resolve to be together in the afterworld by swallowing opium. Yet once there, Fleur discovers that she is alone. After waiting 50 years for her dearly beloved, she re-emerges in 1987 to place a personal ad. In the process, she enlists the aid of a pair of journalists: Yuen (Alex Man) and his feisty, occasionally jealous girlfriend Ah Chor (Emily Chu). Fleur learns that the Hong Kong she knew has by and large disappeared: the brothel where she worked was now a kindergarten. As she tells them of her love for Twelfth Master, the two journalists begin to find their relationship intensifying. As Fleur’s spirit grows weaker, their search continues until it yields results that are both sad and ironic. — Jonathan Crow @allmovieguide.com Continue reading
Winner of the Best Director prize at the 1997 Cannes Film Festival, Wong Kar-Wai’s Happy Together is a stunning display of filmmaking style and a touching story of love on the brink of dissolution. Hong Kong cinema superstars Tony Leung and Leslie Cheung play a pair of lovers living out the waning days of their relationship as expatriates in Buenos Aires. Lusty tango bars, the salsa music of the La Boca sidewalks and a hypnotic visit to the nearby Iguazu Falls give further dimension to the tensions growing between the two lovers. Continue reading
In Wong Kar-wai’s 1991 film Days of Being Wild, Yuddy (Leslie Cheung), a charming drifter captures the attention of store attendant Su Lizhen (Maggie Cheung) by asking her to look at his watch. When she sees that it says one minute before 3:00PM on April 16, 1960, he tells her that she will never forget the moment and will dream about him that night. The next time they meet, the moment becomes two, then one hour, then weeks and months but Yuddy is like the mythical bird with no legs that just flies and flies and never lands. Abandoned by his real mother and brought up by a wealthy alcoholic courtesan (Rebecca Pan), he does not know where he came from or where he is going. He treats women with little respect, discarding them when they no longer serve his purpose. When one lover asks him if he loves her, he tells her that during his life he will be friends with many, many women but won’t know whom he truly loves until the end. Continue reading
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention…..to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Continue reading
The Blade is a whirlwind of blood, color and stunning imagery. Rarely does one find an action movie so uncompromising and technically evolved as this offering from Hong Kong’s prolific director/producer giant Tsui Hark. Based on the “classic” kung-fu film The One-Armed Swordsman, The Blade tells the story of a young man adopted by the owner of a renowned sword smithy, who discovers that his true father was killed by an almost superstitiously powerful bandit, Lung “who it is said can fly!”. When he goes out seeking revenge with his father’s broken blade, he runs afoul of a group of vicious desert scum, and loses his right arm in the encounter. After being nursed back to health by an orphaned farmboy, he eventually learns to compensate for his loss, and with half a weapon, half a swordfighting manual, and one arm short of a pair, returns to confront the man who murdered his father. Continue reading
After losing control of his car and crashing into a local restaurant, a man loses consciousness on the street. Later, while working on a case, the police’s anti-drug division captain, Zhang Lei (Honglei Sun), realizes that the man in the crash is drug lord Tian Ming (Louis Koo). In order to avoid the death penalty, Tian Ming helps the police put a stop to the entire drug trafficking circuit, but just as soon as the police are ready to make a large bust, Tian Ming makes a decision that shocks everyone involved.