A poor Chinese laborer learns important lessons after his son gets a strange new toy.
Construction worker Ti (Stephen Chow) lives in a ramshackle shanty and scavenges everything from shoes to toys from the trash dump. Despite his state of abject poverty, the earnest, lesson-spouting Ti is determined to send his son Dicky (Xu Jiao) to a posh private elementary school. Dicky, however, is a lot more interested in playing than studying, and he’d like nothing more than a CJ1 robot dog to show up his bullying classmate. Unable to afford a CJ1, Ti brings home “CJ7”, a curious rubbery green ball he found at the dump. His son isn’t impressed – until the ball shows its true alien form, morphing into a little green dog whose penchant for mischief gives even Dicky a run for his money. Stephen Chow has helped launched the careers of many a starlet, and this time CJ7 co-stars Mainland newcomer Kitty Zhang and talented child actress Xu Jiao who genderbends as Chow’s son. Chow was so impressed with Xu Jiao’s performance, he not only has more plans in store for the budding ingenue, he’s adopted her as his goddaughter. Other key comedy players include portly Stephen Chow regular Lam Chi Chung and the cuddly titular alien that serves as another testament to Chow’s ability to effectively integrate state-of-the-art CGI into his films. Continue reading
Chinese History Still Mysterious To Westerners, 19 March 2005
Author: shinewu from United States
*** This review may contain spoilers ***
I don’t mean to say anything other than the title chosen. Ms. Ruan is a typical Chinese woman, who believes her innocence would never be questioned, in real life and in the movie. When she finally became a movie star, she kind of lost and still hoped she could stick to an elementary sort of love. The fact is she could never return and no one would stay the same. Continue reading
When his wife, also working for the the police, but in a different department, is being brutally murdered, a police officer begins to investigate the case on his own. Soon he has the hitwoman, who did it arrested, but must find out that things are not as easy as he thought. He has knocked at the wrong door and it turns out that the woman he has hold of may be his only ally. Continue reading
Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates. Continue reading
Synopsis (by Giovanna Fulvi @ tiff.net)
Legendary Taiwanese actress and filmmaker Sylvia Chang directs this magical story of estranged siblings whose shared memories of their mother’s fairy tales begin to draw their lives together once again.
A stirring ensemble drama, the first film in seven years from Sylvia Chang (also appearing at the Festival in Office, based on a play she wrote, and Jia Zhang-ke Mountains May Depart) deftly navigates cross-currents of past and present, fantasy and reality, to arrive at a moving depiction of the ways in which our adult lives are circumscribed by limits set in childhood.
As children growing up on Green Island, a former prison island off the east coast of Taiwan, Mei (Isabella Leong) and Nan (Lawrence Ko) were enthralled by their mother’s tales of mermaids who long to know the world beyond the sea. Continue reading
Multi award-winning film, starring Maggie Cheung, Leon Lai and Eric Tsang. The film also features a role by renowned cinematographer Christopher Doyle (who has shot many of Wong Karwai’s films, and also shot films by Chen Kaige and Zhang Yimou).
The film’s Chinese title (Tian Mi Mi) is the name of a song by Teresa Teng which plays throughout the film. It translates as “Sweet Honey”, but also implies a close loving relationship. (Leon Lai sings the title song for the ending credits.) The film shows the love that Chinese people have for the famous singer, who died the year before the film was released; the film is considered a love poem in memory of Teresa Teng. Continue reading
This sensitive Asian melodrama chronicles the two major loves in the life of a man who cannot change. The story is divided into two parts; each part focused upon one woman. The story begins in Shanghai during the early 1930’s and follows the loves of Zhen-bao. His early love life abroad is chronicled in the opening scenes. The real story begins as Zhen-pao returns to Shanghai and stays at his friend Wang’s apartment. Zhen-bao meets Wang’s moody, selfish wife Jiao-rui. The two begin a passionate affair. Zhen-bao nicknames her “Red Rose”……. Time passes. In the second half, Zhen-bao is a businessman who woos and marries Yen-li, his “White Rose.” She is from a peasant background and very young. She endeavors to be the perfect wife. More time passes. It is 1943 and Zhen-bao is back to his old ways……… –edited for spoilers from Sandra Berman @allmovieguide.com Continue reading