Synopsis: Bob agrees to finance Jason’s horror film, and asks him to find the best groan in the history of cinema. Continue reading
A doctor and his family receive an unexpected delivery from an old friend at their remote country home – a large wooden crate containing a gun, a female zombie and an instruction sheet telling them not to feed her meat. The family is concerned, of course, but she seems harmless enough. Perhaps she can help clean up outside?
Welcome to the unusual world of MISS ZOMBIE, a world in which the zombie virus is clearly a well-known phenomenon and in which more docile sufferers are bought and sold to hobbyists or those looking for cheap labor. It’s a practice not without controversy – the neighborsaren’t thrilled about the newly arrived undead – but she’s quiet, requires little supervision and is an immediate hit with the family’s young son. Continue reading
Long considered a failure since its very brief theatrical release in the late summer of 1980, La Nuit des Traquées has slowly but surely built a small but dedicated group of followers who find it to be among Jean Rollin’s almost great films. Containing perhaps the finest performance Brigitte Lahaie has ever given for the screen, La Nuit des Traquées, or The Night of the Hunted as it is more commonly known, is one of the key if often overlooked films of Rollin’s career. The fact that it is indeed a very flawed work that could have been much more, had budgetary and time constraints not worked against it, makes its pleasures all the more resonate and powerful. Continue reading
“The first Iranian Vampire Western ever made, Ana Lily Amirpour’s debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave.”
Synopsis: In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire. Continue reading
Originally released in 1932 to cash in on the horror boom of the 30s, “Freaks” has always been something of a hot potato.
Director Tod Browning, who’d scored a huge hit with the original “Dracula” in 1930, promised MGM the ultimate scary movie.
But the resulting picture surprised everyone: “I asked for something horrifying,” said the studio’s shocked head of production, “and I got it.”
After trouble with the censors and a brief cinema run during which audiences reacted with unparalleled disgust, the picture was dropped and vanished into obscurity until it was revived in the 60s.
It’s easy to see why reactions to the film have been so strong – it’s a catalogue of the abnormal, the bizarre, and the grotesque that’s still as unsettling today as it was 70 years ago. Continue reading
H6 tells the story of Antonio Frau, a serial killer set free after serving 25 years in jail for the violent murder of his girlfriend. After inheriting and old motel from a relative he never knew, he sees this as a signal and takes to his holy task of relieving the grief of those who have lost the will to live. He takes his victims to room Number 6 in the motel where he ‘purifies’ them, while, at the same time, continues his everyday life next to his wife. A mistake leads to his arrest, and his plan to become rich and famous takes relevance. Continue reading
AMG: A strange young man takes his family’s long tradition of bizarre behavior to new heights (or depths) in this wildly perverse and explicit horror comedy from director Gyorgi Palfi. Kalman Balatony (Gergo Trocsanyi) is a grotesquely fat gentleman who was fathered by an angry hospital orderly getting revenge on his boss by having sex with his wife. While the embittered husband killed the orderly when he was caught in the act, Kalman was born as a result of the wife’s indiscretion, and when he grows to adulthood he earns a modest fame as a competitive eating champion. At an eating contest, Kalman meets a female competitor, the freakish Gizi (Adel Stanczel), and the two fall in love. Kalman and Gizi marry, and she gives birth to a son, Lajos (Marc Bischoff), who grows up to be just as skinny as his parents are fat. Lajos studies taxidermy and takes up preserving animals as a career when he isn’t busy taking care of his elderly and increasingly massive father. Lajos also raises a handful of unusually large house cats, and when they begin to turn on their master, Lajos uses his talents to keep them around the house without the danger of their bothering anyone. Taxidermia received its North American premier at the 2006 Toronto Film Festival. Continue reading