SHOCK Revisits David Cronenberg’s Insane Episode Of FRIDAY THE 13th: THE SERIES.
FRIDAY THE 13th: THE SERIES was always an odd duck of a show. The spin-off series (which was also known as FRIDAY’S CURSE in some regions) had no relation to its big screen counterpart aside from the title, and it instead featured the weekly adventures of a group of characters running an antique store called Curious Goods, which was filled with cursed items.
The show had some dud episodes along the way, but it could be a surprisingly creepy affair at times and the premise of collecting haunted items was kind of inspired. It was filmed in Canada throughout its three season run and was shot on a strict ten-day schedule to help keep costs in check. Various guest directors of note passed through its hallways, including Atom Egoyan, Tom McLoughlin (who also directed Jason Lives) and Jennifer Lynch. Continue reading
Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life. Continue reading
By Yûji ‘Shogun’s Sadism’ Makiguchi. Another medieval tale of barbarism amidst civilized Japan. A girl urinates right in front of two horny travelling strangers in the forest and is surprised and shocked when they suddenly attack and rape her. She runs and finds herself in one of the millions of convents populated by heroin-smoking, man-hating, cannibalistic, cult, lesbian nuns that we know so well. Any man who falls in their clutches gets the brutal treatment, and is then eaten by a mad cannibal. This super-intelligent girl is then not so sure she likes this new arrangement any better. Continue reading
Madness and demonism, present in many of Bergman’s films, are made the explicit themes of Hour of the Wolf. Here they are associated with artistic creativity. Alma (Liv Ullmann) tells of her life with her artist husband, who disappeared, leaving only his diary. “The first of three films featuring Max von Sydow as Bergman’s alter ego, the artist in retreat to an island (Fårö, the director’s own home) where all his demons and imagined monsters can come out to play, threatening to possess their creator and ‘disappear’ him into the darkness behind the brain. A strikingly Gothic tale of horror, Hour of the Wolf owes much to Bram Stoker’s Dracula in its evocation of the artist’s admirers and tormentors as vampires, flocks of flesh-eating birds and insects.” –Kathleen Murphy, Film Society of Lincoln Center Continue reading
The banlieues of Paris are burning, and as a young girl from the slums attempts to elude police by hiding out at a sprawling inn near the Luxembourg border she becomes locked in a vicious battle for survival against a group of Neo-Nazi fanatics intent on using her to start a new Aryan brotherhood. Continue reading
“I know what you want, you want to see the movie.”
John Carpenter directs this unsettling installment of the “Masters of Horror” series, following one man’s search for the holy grail of horror cinema. Hired by a millionaire collector (Udo Kier) to retrieve the infamous Le Fin du Monde — a violent movie that reportedly causes viewers to turn into homicidal maniacs after they watch it — an unsuspecting theater owner (Norman Reedus) begins to fall under the film’s spell. Continue reading
RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of “no reason.” Continue reading