Shinya Tsukamoto – Akumu Tantei 2 aka Nightmare Detective 2 (2008)

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Yukie and two of her girlfriends are being haunted by the ghost of a classmate, they once heavily bullied. When the other two die under mysterious circumstances, Yukie sees only one chance for herself. With the help of the Nightmare Detective (Ryuhei Matsuda) she hopes to escape her hopeless situation.

From IMDB:
NIGHTMARE DETECTIVE 2 surpasses it’s predecessor on almost all levels. For one thing, though the film has a slightly more poetic feel to it (as opposed to the dark and chaotic nature of the original), it’s laden with depression and grief, adding a foreboding atmosphere that grows stronger as the film progresses. While the first film had a more straightforward plot (albeit still following Tsukamoto’s puzzling logic at times), now the story features a well-balanced duality. When Kyoichi starts to learn more about the origin of Yukie’s nightmares, he discovers parallels with his own past which will eventually lead to more discoveries concerning the mystery of his own, cursed persona. Continue reading

Shinya Tsukamoto – Tetsuo II: Body Hammer (1992)

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Plot: A Tokyo Businessman with his wife and son are walking the high street when his son is kidnapped by a group of street thugs. While in pursuit of his son the father is shot by one of the thugs with a strange device. After the thugs oddly return his son, the father starts to notice odd changes with his body that occur in moments of anger. Only to be terrorized constantly by this, the father decides to locate the gang and kill them all. Continue reading

Hélène Cattet & Bruno Forzani – Chambre jaune (2002)

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The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker’s La Jetee to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film. Continue reading

Gino Mangini – La jena di Londra (1964)

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IMDB:
A serial killer called “The Hyena” is finally caught and eventually hanged. However, his body disappears before it can be buried, and soon thereafter dead bodies start turning up in a small village. Continue reading