In Hungary, the national movement led by Kossuth has been crushed and the Austrian hegemony re-established, but partisans carry on with violent actions. In order to root out the guerilla, the army rounds up suspects and jails them in an isolated fort. The authorities do not have the identity of the guerilla leaders, who are supposed to be present among the prisoners. However, they know enough about some of the suspects to apply perfidious forms of coercion effectively. Continue reading
This film was nominated for the Oscar Awards in 1969 as the best foreign language film.
The film originated from a novel created by the Hungarian writer Molnar Ferenc in 1906.
The book was chosen as a class reader in Hungary for children aged 11.
About the book from Wikipedia:
“The book has earned the status of the most famous Hungarian novel in the world. It has been translated into many languages and in several countries (like the UK and Italy) it is a mandatory or recommended reading in schools. Ernő Nemecsek is now ranked there among the eternal heroes of youth literature like Oliver Twist or Tom Sawyer. The novel can be easily read in most parts of the world as if its story could have happened anywhere and in any age.”
The story concerns a young couple who “meet cute” at a fairground. As they dance the night away, the boy expresses his love for the girl, resulting in a startling reaction. The film is unabashedly sentimental, but the performances of the two leads transcend the storyline’s gooier passages. Korhinta was Hungary’s primary entry in the Cannes Film Festival of 1956 — yet another feather in the cap of director Zoltan Fabri, who went on to helm such classics as The Boys from Paul Street and The Fifth Seal.
From the pen of famed Hungarian novelist Peter Eszterhazy comes this erotic tale of passion and betrayal. Lili, a young gypsy girl, falls madly in love with a dashing salesman who introduces her to life’s sensual pleasures. When Lili discovers he is engaged to another, her life begins to spiral downward into unending sexual liaisons and an unsatisfying marriage. Eszterhazy wrote the novel under the pseudonym Lili Csokonai–the main character–so the story unfolds through her eyes, like an autobiography. The film’s complex weaving of flashbacks and memories perfectly captures Lili’s haunted perspective on her life as does Tibor Mathe’s beautiful cinematography. Continue reading
A film where anything can happen – the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: the LOVE between man and woman… in an archetypical love story cut from 500 classics from all around the world
Saw this tonight at the Sydney Cockatoo Island Film Festival.
An interesting work. Really tests the limits by telling a story without a main actor, without a script, without a location. Achieves a certain level of film making bordering on genius or dilettante. What has been done here deserves notice by anyone who has interest in any aspect of film and creative process. Continue reading
SYNOPSIS: The title of Child Murders has a chilling double meaning. In this black and white melodrama about children, the child murders that the film’s title refers to are the million and one ways that children’s souls are ravaged by neglect, unkindness and cruelty, even though several physical deaths take place in the story. 12-year-old Zsolt lives a lonely life with his grandmother. He spends so much time taking care of his grandmother, that he has little time for much else. However, he makes friends with Juli, a homeless young gypsy woman living in an abandoned railway car. This friendship becomes known to the other children in his circle, and results in his being actively ridiculed, ostracized and beaten. When Juli has a miscarriage and Zsolt helps her dispose of the baby’s corpse, they are seen by one of the hate-filled local children, who notifies the police. The gypsy girl is taken to a prison hospital where she hangs herself. Zsolt quietly takes his revenge on the informant. Continue reading
The changing and turbulent history of Hungary is seen through the eyes of three men over a 30-year period in this somber drama. The three recall the highlights of their lives in flashbacks as they reminisce in the mid 1960s. The venerable trio begin their story in the 1930s, through World War II, and the decade beyond the communist invasion of 1956.
It was entered into the 1967 Cannes Film Festival where Kósa won the award for Best Director.