A former inspector on his last day with the department is called in to investigate a child murder. A suspect soon confesses to the crime, but knowing that the confession came only after the man was browbeaten in a relentless, 20-hour interrogation, the inspector’s keen police instincts tell him that the man is not the real murderer and that there is a serial killer at work, with the girl’s murder being related to other child murders that occurred in the area. However, he is alone in his assessment and the police close the case. Read More »
Description: Made for television, this version of Shakespeareâs Macbeth contains only two shots, of five and sixty-seven minutes respectively. For critic Jonathan Rosenbaum it marks a turning point in Tarrâs career: “Practically all the important action is staged in the foreground, with the camera following some characters and picking up others as it relentlessly tracks their movements and machinations through fog, torchlight, and dank, grottolike settings. …this video reprises elements from Tarrâs first three features while anticipating the extended, choreographed camera movements and metaphysical demonology of his second three. Read More »
Rarely seen Béla Tarr short, starring composer anc Sátántangó lead actor Víg Mihály. shot on many some of the same locations as Sátántangó. Read More »
A man whose lonely life at the edge of the sea has become as predictable as the tide witnesses a murder that sends him on an existential journey the likes of which he could never have anticipated in director Béla Tarr’s philosophical drama. Maloin had reached a point in life where he was content to embrace loneliness while turning a blind eye to the inevitable decay that surrounded him. Upon bearing witness to a shocking murder, however, the man who once lived a life of quiet solitude is forced to wrestle with such profound issues as punishment, mortality, and the sin of complicity in a crime he didn’t even commit. Now, despite Maloin’s simple wish to be free and happy, he must journey deep within his inner-self to confront emotions that he never once fathomed in his long yet uneventful existence. Read More »
A short filme, 5 minutes, part of Visions of Europe.
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This drama by Hungarian New Cinema director Zoltan Fabri is about class exploitation and murder, and is set in 1919. Anna (Mari Torocsik) is a shy and plain young woman who works as a maid in a privileged household. She is essentially a slave without any rights to speak of, and while she is being driven to the extremity of murder because of her brutal and uncaring treatment, the Hungarian communist revolution is building up steam in the background. The microcosm, in this case, is clearly meant to illustrate the impersonal and much larger picture.
This film was nominated to Golden Palm.
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István Szabó – Édes Emma, drága Böbe – vázlatok, aktok aka Sweet Emma, Dear Böbe – Sketches, Nudes (1992)
Emma has moved to Budapest from the countryside with her good friend Böbe, and both of them have taken jobs as schoolteachers. However, their wages are pitifully small, and all they can afford in the way of housing is a shared room in a boarding house near the airport. The two women have settled into their lives, but it isn’t easy: Emma’s sexual affair with the school’s married principal is not emotionally satisfying, and Böbe’s penchant for picking up foreigners and bringing them back to their room for sex creates unpleasant situations, to say the least. At school, it used to be clear what the quickest route to success was, but now that the “communists” are no longer in power, a lot of the senior people are floundering in uncertainty. Eventually, Emma gains the courage to strike out on her own. ~ Clarke Fountain, All Movie Guide Read More »