Ilmar Raag – Kertu AKA Love is Blind (2013)

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Quote:
Kertu (Ursula Ratasepp) is a girl who is different to other people in her village. Extremely fearful and shy, she keeps to herself, and so the word around the village is that she is a simpleton. One day, Kertu falls in love with the village drunk, Villu (Mait Malmsten). Villu, being an alcoholic, and Kertu, with her timid personality, are both outcasts of society. When they start talking one night at the village party, they are pleasantly surprised to find comfort in each other’s company. Villu seems to be the only one who sees Kertu as a normal person, while Kertu is the only one who doesn’t see Villu as a mere drunkard. They spend a happy night together, but that is all they get – the next day, Kertu’s family is convinced that Villu took advantage of their daughter, even though the girl refuses to press charges against him. But little attention is paid to Kertu’s opinion. For her family, the concept of the two being together is just too incomprehensible – how could a simpleton girl know what’s good for her? Why should the village drunk be trusted? The couple is torn apart, and a struggle begins for the two lovers to make their voices heard. Continue reading

Ilmar Raag – Ya ne vernus AKA I Won’t Come Back (2014)

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A young woman who grew up in orphanage is longing to be loved, but does not have it in her to love others. Her teenage looks help her while falsely accused of committing a crime to hide in a orphanage without arousing any suspicion. There, she meets a 13 years old homeless person like herself, Kristina, and together they set out on a long journey to a small town in Kazakhstan, where Kristina’s grandmother lives… Continue reading

Ilmar Raag – Klass AKA The Class (2007)

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Plot summary:
Introvert Joosep is the butt of crude jokes from his classmates who are irritated by his taciturn nature. The only support he has comes from Kaspar, whom he sits next to in class.

Quote:
This isn’t a sociological probe into the theme of adolescent bullying which might turn violently against the perpetrators, but more a universal reflection on the darker sides of the human soul, often hidden beneath an attractive exterior, ready to provoke an unexpected reaction under excess pressure. The acting performances of the leads, in particular, give the story – a linear progression where silly pranks develop into a tragic outcome – a highly credible dimension. Continue reading