Ingmar Bergman – Misantropen AKA The Misanthrope (1974)

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ingmarbergman.se wrote:
The Misanthrope

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV.

In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière’s play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Continue reading

Ingmar Bergman – Såsom i en spegel AKA Through a Glass Darkly [+Extras] (1961)

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A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly desperate husband (Max von Sydow). They are joined by Karin’s father (Gunnar Björnstrand), who is a world-traveling author that is estranged to his children. The film depicts how Karin’s grip on reality slowly slips away and how the bonds between the family members are changing in light of this fact. Continue reading

Ingmar Bergman – Sommaren med Monika AKA Summer with Monika (1953)

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“Harry Lund, 19 years old, works at a stock-room for glass and porcelain. In the vicinity works 17 year old Monika at a stock-room for vegetables. Monika is a cheerful and happy young woman and when she sees Harry at a cafe she starts to talk with him. They fall in love with each other. Because of their age, they are both harassed at their respective places of work. Monika has an argument with her father and leaves her home, Harry has an argument with his boss and quits. Since they have nothing that ties them to the city, they take Harry’s small boat to the archipelago to be alone for a few weeks.” Continue reading

Ingmar Bergman – Scener ur ett äktenskap AKA Scenes from a Marriage [TV Version] (1973)

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Marianne (Liv Ullmann) and Johan (Erland Josephson) always seemed like the perfect couple. But when Johan suddenly leaves Marianne for another woman, they are forced to confront the disintegration of their marriage. Shot in intense, intimate close-ups by master cinematographer Sven Nykvist, the film chronicles ten years of turmoil and love that bind the couple despite their divorce and subsequent marriages. Flawless acting and dialogue portray the brutal pain and uplifting peace that accompany a lifetime of loving. Originally conceived as a six-part miniseries for Swedish television, The Criterion Collection is proud to present not only the U.S. theatrical version, but also, for the first time on video in the U.S., Ingmar Bergman’s original 5-hour television version of Scenes From a Marriage. Continue reading

Ingmar Bergman – Ingmar Bergman Bris Soap Commercials (1951)

In 1951 there was a conflict in the Swedish film industry. The production companies had declared a ban on filming in protest against the high rate of tax on entertainment. Recently remarried, Ingmar Bergman, found himself with three families to support, and his contract with the Gothenburg City Theatre had expired. In order to earn any income whatsoever that year, he agreed to direct nine commercial for Bris soap on behalf of Swedish Unilever. It seems more than a coincidence that Sweden’s most famous film director should be the one to take the country’s advertising to a higher plane: the Bris films were the most lavishly funded that the country had ever seen. Continue reading

Ingmar Bergman – Vargtimmen AKA Hour of the Wolf [+Extras] (1968)

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Quote:
Madness and demonism, present in many of Bergman’s films, are made the explicit themes of Hour of the Wolf. Here they are associated with artistic creativity. Alma (Liv Ullmann) tells of her life with her artist husband, who disappeared, leaving only his diary. “The first of three films featuring Max von Sydow as Bergman’s alter ego, the artist in retreat to an island (Fårö, the director’s own home) where all his demons and imagined monsters can come out to play, threatening to possess their creator and ‘disappear’ him into the darkness behind the brain. A strikingly Gothic tale of horror, Hour of the Wolf owes much to Bram Stoker’s Dracula in its evocation of the artist’s admirers and tormentors as vampires, flocks of flesh-eating birds and insects.” –Kathleen Murphy, Film Society of Lincoln Center Continue reading

Ingmar Bergman – De två saliga AKA The Blessed Ones (1986)

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“Things are never crazy in and of themselves. They only seem so from the outside.”
De två saliga (The Blessed Ones or The Blessed Pair) is a 1986 made-for-television film directed by Ingmar Bergman, with a screenplay by Ulla Isaksson, based on her novel of the same name made two decades earlier in 1962. Isaksson’s novel, heavy in Christian imagery, follows a psychologist as he becomes more and more obsessed by Viveka and Sune, a former patient and her husband. Continue reading