Abbas Kiarostami – Rangha AKA The Colours (1976)


Abbas Kiarostami, director of such somber films as Taste Of Cherry, is the last person one would suspect of dabbling in goofy formalist instructional movies. Nevertheless, that’s what he does here. A color is brought up – red, for example. Then various red things are shown, starting with that which is found in nature and going from there. And so on for various colors. Also, a boy with a pistol shoots different colored bottles of water and the same boy is the last survivor of a car chase. This is rather inconsequential but fun – like Seseme Street for simpleminded adults. Continue reading Abbas Kiarostami – Rangha AKA The Colours (1976)

Asghar Farhadi – Jodaeiye Nader az Simin aka A Separation (2011)


THE GUARDIAN review (contains plot details):

An unhappily married couple break up in this complex, painful, fascinating Iranian drama by writer-director Asghar Farhadi, with explosive results that expose a network of personal and social faultlines. A Separation is a portrait of a fractured relationship and an examination of theocracy, domestic rule and the politics of sex and class – and it reveals a terrible, pervasive sadness that seems to well up through the asphalt and the brickwork. In its depiction of national alienation in Iran, it’s comparable to the work of Jafar Panahi and Mohammad Rasoulof. But there is a distinct western strand. The film shows a middle-class household under siege from an angry outsider; there are semi-unsolved mysteries, angry confrontations and family burdens: an ageing parent and two children from warring camps appearing to make friends. All these things surely show the influence of Michael Haneke’s 2005 film Hidden. Farhadi, like Haneke, takes a scalpel to his bourgeois homeland. Continue reading Asghar Farhadi – Jodaeiye Nader az Simin aka A Separation (2011)