Duncan Campbell – It for Others (2013)

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‘It for Others’, 2013, (16mm film transferred to digital video, 54 minutes)

Duncan Campbell produces films that look at representations of the people and events at the heart of very particular histories – figures such as John Delorean and Bernadette Devlin. Combining archive material with his own footage, his work questions the authority, integrity and intentions of the information presented. For Scotland + Venice 2013, Campbell has taken Chris Marker and Alain Resnais’ 1953 film ‘Les Statues meurent aussi’ (Statues also Die) as both source and artefact, to pursue a meditation on the life, death and value of objects.  In the exhibition, Campbell presents the older film alongside his new work, a social and historical examination of cultural imperialism and commodity that combines filmed footage, animation and archive footage.  ‘It for others’ includes a performance made in collaboration with Michael Clark Company that seeks to illustrate the basic principle of commodities and their exchange. Continue reading

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Alicia Duffy – All Good Children [+Extras] (2010)

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After the death of their mother, Irish youngsters Dara and Eoin are moved to France to stay with their aunt. There, the boys befriend a local English family and the impressionable Dara falls under the spell of their young daughter Bella. But when she begins to pull away, Dara’s feelings for her start to get out of hand. Written by Anonymous Continue reading

Pat Collins – Silence (2012)

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Eoghan is a sound recordist who is returning to Ireland for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, Silence unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile. (IMDB)
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Steph Green – Run & Jump (2013)

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After a stroke leaves her husband mentally disabled and fundamentally changed, spirited Irish housewife Vanetia struggles to keep her family together in the wake of tragedy. A research grant from American doctor Ted Fielding, interested in documenting the family’s recovery process, allows them to get by. Though Vanetia initially resents living under Ted’s microscope, she soon finds comfort in his calming presence, while Ted responds to Vanetia’s dynamic, unpredictable personality. As the two explore their bond within their unique situation, a new family begins to emerge. Directed by Academy Award®-nominee Steph Green and featuring Saturday Night Live star Will Forte in an impressive dramatic debut, this life-affirming film embraces the healing power of love and family in all of its idiosyncratic forms. Run and Jump is an unexpected, unconventional romance, intimate family portrait and emotional journey of recovery that ultimately uplifts through its heartfelt message of human connection and the power of acceptance. ~ tribecafilm Continue reading

Neil Jordan – Angel aka Danny Boy (1982)

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IMDB user comments
Remarkable debut feature from Neil Jordan. Reminds me of Point Blank (Boorman was the executive producer). I really didn’t expect Angel to be so good. Many familiar locations including Bray. Good sparse dialogue. Usual Irish cast including Rea (who resembles Jordan), Lally and McCann. Every scene in this movie works. I particularly liked the brass band behind the van. Continue reading

Danis Tanovic – Triage (2009)

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A war photographer on assignment in Kurdistan is traumatized by the death of his best friend. He is then nursed back to health by his girlfriend’s grandfather, who may or may not be a notorious war criminal from the Spanish Civil War.

Quote:
When I looked up a bit of information on Triage after watching it, I was genuinely surprised to discover that it’s not a true story. I suppose it’s the touch of an actual war correspondent that gives it that real life cache, as the author of the novel it’s based upon is a veteran in that arena. While it had a degree of Hollywood polish and shine, it felt tremendously possible, which made it easy to relate to as a viewer, despite my having spent the entirety of my own life lazy and safe and nowhere near anything approximating war. Continue reading

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