Two strangers unexpectedly meet at an airport. He mistakenly assumes her to be his assigned driver.
She, enchanted by the random encounter, does not hurry to prove him wrong. Continue reading
A political drama centered around Israel’s pullout from the occupied Gaza strip, in which a French woman of Israeli origin (Binoche) returns to the West Bank Continue reading
In the heart of Jaffa, Reuven’s garage is a family business. His daughter Mali and his son Meir, as well as Toufik, a young Palestinian, work there. No one suspects that Mali and Toufik have been in love for years. As the two lovers are secretly making their wedding arrangements, tension builds between Meir and Toufik… Continue reading
Here are some reviews:
from N.Y. times:
Although it is inspired by Old Testament law, “I Love You Rosa,” the Israeli-made nominee for an Oscar that arrived at the Little Carnegie yesterday, happily doesn’t exude the mustiness of a period piece. Despite a slow, measured pace and a soap opera note or two, this gentle but perceptive examination of a decidedly unusual affair that happens to be set in Jerusalem of the eighteen-eighties is as sentimental as genuine love and as up to date as the women’s liberation movement.
In dealing largely with an 11-year-old Jewish boy’s love for his young, widowed sister-in-law, Moshe Mizrahi, writer-director, sticks to his theme and avoids religious or distaff proseletyzing. He is a refreshingly professional craftsman who allows a viewer his own judgments. Continue reading
Filmed in one sequence-shot of 1:25, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor. Continue reading
A young girl and her mother both carry the scars of their experiences during the holocaust in this drama from Israel. In 1951, Aviya (Kaipo Cohen) is a ten-year-old girl being raised by her single mother, Henya (Gila Almagor), in a small village in Israel. Henya is a survivor of a Nazi concentration camp, and has come out of the experience considerably worse for wear; she’s haunted by the memories of her past, and has become emotionally unstable.
The Summer of Aviya was based on a novel by Gila Almagor, who also plays Henya. A sequel, Under the Domim Tree, was released in 1995. ~ Mark Deming, All Movie Guide
Sgt. Jinji is very interested in Yaeli, Mr. Hasson’s youngest daughter. After getting into a dispute with a fuming Mr. Hasson who falsely believed Jinji wanted to marry his eldest daughter, Jinji is kicked out of Mr. Hasson’s house. Having witnessed the scene, and unbeknownst to Mr. Hasson nor Jinji, Yaeli escapes too and hides in the back of Jinji’s jeep, intent to join him despite her father’s wishes.
On the way to his army base, Jinji picks up Konstanza, a shady businessman, who has been evading reporting to reserve duty for a while. Konstanza also happens to owe money to Mr. Hasson (due to a very dubious business deal gone awry), and Mr. Hasson decides to look for Konstanza to get his money back. All our characters end up in the middle of the desert at a small, somewhat improvised military base.