Amedeo (E. Jannacci), a mild officer on leave, comes to Rome from a town in the North to speak eye to eye with the Pope, “also in his interest.” He tries unsuccessfully for months until one night, sick with pneumonia, dies in front of a papal building.
Kafka (The Castle) is there, but somewhat far.
Morandini Continue reading
The story concerns the romance between Carmela and Antonio. Faced with the hostility of their parents, they symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado. Continue reading
The drawbacks and difficulties of military life are explored in this film. Paolo Passeri (Michele Placido) is a college graduate, somewhat spoiled, somewhat effete, who finds himself in an officer training program under the stern martinet, Captain Asciutto (Franco Nero). He gradually becomes acclimated to the military mind-set, and when the Captain’s wife (Miou-Miou) decides to take a romantic interest in him, he does not report her dangerous peculiarities to anyone. Continue reading
Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and is now affected by psychic problems and suicide fantasies. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. Mauro become unconsciously jealous of this relationship, and try to get Giovanni arrested. Continue reading
A rich and sadistic man, who enjoys to degrade women as part of elaborate S&M games, abducts a female journalist. She is subjected to his unpleasant games but soon the roles begin to be reversed. Continue reading
Written by John Parrot On 20th April 2012,
By the release of Il Boom in 1963, the Italian economy had seen spectacular growth since 1951 in a growth spurt christened ‘il boom’. The country had left behind both neo-realism and penury. Life may have been sweeter for many people but, as we in the 2010s know, il boom is usually followed by il bust. Even if the Italian economy had been able to defy gravity and travel on a one-way trajectory to the stars, Vittorio De Sica would have been there to bring everyone back down to earth. Il Boom, starring one of Italy’s biggest comic movie stars, Alberto Sordi, looks beneath the glossy surface of the economic miracle to the festering truth of the matter. Continue reading
The film is a frequently clever examination of a cynical social climber who finds himself in trouble. Arrested at his home and complete with a phoney alibi to cover his infidelity, our antique-dealer hero soon learns that he’s under suspicion for having murdered his ex-lover. Unfortunately for him, he’s not noted for his loving-kindness (he takes financial advantage of the desperate as he relieves them of their valuables) and is, romantically speaking, a cad, having exploited the soon-to-be-deceased lover for career purposes while romancing a younger bubblehead under her nose. All of this inhumanity seems to point to his being the killer, plunging him into a Kafka-lite nightmare that forces him to face up to his own brutishness. Continue reading