At the end of the nineteenth century, the young peasant Amerigo falls in love with Bianca, whom he met in a brothel in Florence, and in order to keep meeting her, steals from his uncle. Wounded with a knife, tries in vain to see her again.
From “L’eredità” (1889) by Mario Pratesi – thanks to a well-balanced screenplay (Pratolini, Festa Campanile and Franciosa) – a Bolognini in great shape has drawn a beautiful film, almost like “Casque d’or”, were it not for a surplus of crepuscular preciosity.
Superb photography by L. Barboni and a dazzling Cardinale.
2 Silver Ribbon 1962: Flavio Mogherini (scenes) and Piero Tosi (costumes).
Morandini Continue reading
Massimo’s idyllic childhood is shattered by the death of his mother. Years later, he is forced to relive his traumatic past and compassionate doctor Elisa could help him open up and confront his childhood wounds. Continue reading
Description: An American journalist travels throughout the world in search of a good story by joining a modern-day harem and traveling to Venice to see what really goes on at diplomatic parties. While trying to expose a corrupt government official, Emanuelle stumbles upon a group that uses kidnapped girls to make and sell snuff films. A brush with death leaves Emanuelle wondering if it is perhaps time to hang up her camera for good Continue reading
“The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn’t matter. (…) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.”
Marguerite Duras, Venice film festival catalogue, 1982. Continue reading
Cencio, a Roman pilferer, is periodically in prison. He’s a genius at scams. He loves his childhood sweetheart Cesira, who, in order to get herself out of the slum’s life, soon becomes his partner in crime. With Cesira’s help, Cencio is successful in several swindles. In the meantime, Cesira finds her true love. Cencio then tries the big hit in a jewelery. But his lucky break is over… Continue reading
Amedeo (E. Jannacci), a mild officer on leave, comes to Rome from a town in the North to speak eye to eye with the Pope, “also in his interest.” He tries unsuccessfully for months until one night, sick with pneumonia, dies in front of a papal building.
Kafka (The Castle) is there, but somewhat far.
Morandini Continue reading
The story concerns the romance between Carmela and Antonio. Faced with the hostility of their parents, they symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado. Continue reading