While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he. Read More »
George (Gary Lockwood) is a disillusioned 26-year-old who has just quit his stifling job. He lives in Los Angeles with an aspiring young actress named Gloria (Alexandra Hay), who is none too pleased with his recent unemployment. Hanging over his head is the constant threat of repossession of his car and the virtual certainty that he will be drafted into the army. He sees a beautiful woman in a big car and follows her to her home in the Hollywood hills. A rock-star friend loans him money for a car and he follows the mystery woman to a photography shop. Lola (Anouk Aimée) is an older French model who poses for photographs to pay the bills. After he takes pictures of her, he begins to fall in love with the woman. Gloria discovers the pictures and throws George out of the house. He returns to the model and the two have conversation over drinks before ending up in bed together. Lola wishes to return home to be with her young son and is reluctant to get involved in a relationship. George’s relationship with Gloria ends when she leaves him over her failure to understand his motivations. He resigns himself to the fact he will be drafted and probably end up dead in a Vietnam rice paddy in this story of a young man in search of the greater meaning of life.
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Jacques Demy’s auspicious debut — “a musical without music” set in the port city of Nantes — stars Anouk Aimée as the title character, a cabaret singer awaiting the return of Michel (Jacques Hardin), her long-absent lover and the father of her child. Michel went to America seven years ago and promised to return when he became rich. In Michel’s absence, Lola is being courted by her childhood friend Roland (Marc Michel) and American sailor Frankie (Allan Scott). At some point, it seems that Lola will settle down with one of them, but her heart still belongs to Michel. The film is dedicated to Max Ophüls and the film title obviously alludes to Ophüls’ Lola Montes as well as to the heroine of Josef Von Sternberg’s The Blue Angel. Marc Michel makes a reference to his unrequited love towards Lola when he reappears in Demy’s The Umbrellas of Cherbourg (1964). — Yuri German Read More »