Une femme coquette (A Flirtatious Woman) (1955) is the first of four short fiction films made by Jean-Luc Godard preceding his work in feature-length film.
The short film is based on the story Le Signe (The Signal), by Guy de Maupassant. It is a nine-minute story of a woman who decides to copy the gesture she has seen a prostitute make to passing men. Then a young man responds.
In Maupassant’s original tale the scene takes place indoors, the woman having signaled from her window, but in Godard’s revision the characters meet by a bench on the Ile Rousseau in Geneva. Continue reading
“French companies never seemed to learn that Godard would never make anything like a traditional advertisement, so when the Darty appliance chain commissioned a pub from the mischievous director, they were in for trouble: a daring deconstruction of consumerism, rejected by its funders.” Continue reading
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father’s petrol station; Joseph is an earnest dropout who drives a cab. The angel Gabriel must school Joseph to accept Mary’s pregnancy, while Mary comes to terms with God’s plan through meditations that are sometimes angry and usually punctuated by elemental images of the sun, moon, clouds, flowers, and water. Godard intercuts a brief parallel story of Eva and her nameless lover; their adulterous affair, rife with philosophical discussions, leads nowhere.
– Written by jhailey Continue reading
Centred in the two thousand year old city of Guimarães, three renowned directors, Jean-Luc Godard, Peter Greenaway and Edgar Pêra, explore 3D and its evolution in the world of cinema. How does 3D affect the audience and their perceptions? Continue reading
Nouvelle Vague marks the beginning of a period in Jean-Luc Godard’s career in which he made films that looked back on his previous work. In these retrospective films, Godard asked himself whether it is possible to continue as a film director under the conditions imposed by international commercial cinema. Appropriately enough, Nouvelle Vague concerns the return of a man (Roger Lennox / Richard Lennox, played by Alain Delon, superstar of 60s and 70s international cinema) who may or may not have returned from the dead. Continue reading
“Wind From the East” (“Le Vent D’Est”) is a very deep and highly political discussion about communism, capitalism, art, revolution, intellectualism, Maoism, USSR, tradition, paradigms, poetry… It’s hard to put it in terms of “it’s about…”, since the sequence of images is not based in any form of traditional narrative. In fact, it’s the very opposite of it, its essence sprouting from the need of subversion, a need directly connected to the social/historical/political/artistic context of the 60’s and 70’s: to show things in a different way leads the viewer to see differently, therefore to think differently. A experimental cut, poetic even, given the metaphorical quality of the images. The frontiers of film language fades and encounters those of other art forms, not to weaken the film unity nor its message, but to strengthen them both. Continue reading
The director Gaspard Bazin is preparing a new feature film. For now, he is still in the casting and financing stages. He’s asking the help of Jean Almereyda, a producer once fashionable but now at low ebb, who has more and more difficulties to raise cash for his company. His wife, Eurydice, dreams of being a movie star. Between the two men, a perverse game is starting, Almereyda wishing to please his wife, but the unrepentant seducer reputation of Bazin holds him to require a part for Eurydice… Continue reading