Jean-Luc Godard & D.A. Pennebaker – One P.M. (1972)

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From Time Out Film Guide:
In 1968, Godard began work on a film in America (One AM or One American Movie) dealing with aspects of resistance and revolution. Dissatisfied with what he had shot, he abandoned the project. Pennebaker here assembles the Godard footage, together with his own coverage of Godard at work (One PM standing for either One Parallel Movie or One Pennebaker Movie). Although it may be dubious to show stuff that Godard had rejected, the film does manage to convey how he got his results. You can draw your own conclusions about his approach and why he abandoned the film. Continue reading Jean-Luc Godard & D.A. Pennebaker – One P.M. (1972)

Jean-Luc Godard – Détective (1985)

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Quote:
Détective is one of Godard’s most engaging films, even though it has not been one of his most celebrated. Wheeler Winston Dixon described it as a “straightforward commercial venture,” the film Godard made “precisely in order to direct Je vous salue, Marie (1985).” But dismissing it in this way fails to recognize that, even in a film where Godard is forced to compromise, there is still much to be recommended. While Détective does tell a story of sorts, it is more than a mere narrative film. It still has many of the striking sound/image experiments and investigations into the forms, textures and affects of the plastic and temporal arts that we have come to expect from a Godard film. It also has a playful comic energy. In fact, as Dave Kehr notes, Détective has “all the lightness and zip of Godard’s sixties features.” Continue reading Jean-Luc Godard – Détective (1985)

Jean-Luc Godard – JLG/JLG – autoportrait de décembre AKA JLG/JLG Self-Portrait in December (1994)

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Quote:
Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art. Continue reading Jean-Luc Godard – JLG/JLG – autoportrait de décembre AKA JLG/JLG Self-Portrait in December (1994)

Jean-Luc Godard – Une femme coquette (1955)

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Wikipedia
Une femme coquette (A Flirtatious Woman) (1955) is the first of four short fiction films made by Jean-Luc Godard preceding his work in feature-length film.
The short film is based on the story Le Signe (The Signal), by Guy de Maupassant. It is a nine-minute story of a woman who decides to copy the gesture she has seen a prostitute make to passing men. Then a young man responds.
In Maupassant’s original tale the scene takes place indoors, the woman having signaled from her window, but in Godard’s revision the characters meet by a bench on the Ile Rousseau in Geneva. Continue reading Jean-Luc Godard – Une femme coquette (1955)

Jean-Luc Godard & Anne-Marie Miéville – Le rapport Darty (1989)

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“French companies never seemed to learn that Godard would never make anything like a traditional advertisement, so when the Darty appliance chain commissioned a pub from the mischievous director, they were in for trouble: a daring deconstruction of consumerism, rejected by its funders.” Continue reading Jean-Luc Godard & Anne-Marie Miéville – Le rapport Darty (1989)

Jean-Luc Godard – ‘Je vous salue, Marie’ aka Hail, Mary (1985)

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IMDB says:
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father’s petrol station; Joseph is an earnest dropout who drives a cab. The angel Gabriel must school Joseph to accept Mary’s pregnancy, while Mary comes to terms with God’s plan through meditations that are sometimes angry and usually punctuated by elemental images of the sun, moon, clouds, flowers, and water. Godard intercuts a brief parallel story of Eva and her nameless lover; their adulterous affair, rife with philosophical discussions, leads nowhere.
– Written by jhailey Continue reading Jean-Luc Godard – ‘Je vous salue, Marie’ aka Hail, Mary (1985)