Candy tells the story of her life, her dissatisfaction with her male lovers, her desire for her girlfriend Katy and the route that led her into stripping. This is 80 minutes of flesh, bordering on the hardcore, sometimes on the gynaecological, and supposedly directed by Lina Romay (Candy Coster). Her husband Jess Franco was probably on hand somewhere. Romay in 1982 is not the trim young sexpot she was in the early 70s but she loves to get stuck in and there are still moments of genuine eroticism. It’s a shame a ridiculous blond-white wig often offsets her cute, slightly buck-toothed face. This was remade by Franco in 1986 as El Mirón y la Exhibicionista as a hardcore feature. Read More »
VAMPIRE JUNCTION, for example, takes an inexplicable mix of characters (cowboys, doctors, acrobatic nudist vampires, a Dracula-wannabee, drunks, etc.) and tosses them all into a tourist trap of an old West ghost town and allows them all to shake up against one another for 90 minutes or so. Who knows what happens or why? Seeing nubile naked vampettes walking backwards on all fours like spiders while chubby old sheriffs are taking pot shots at old Scratch as we listen to the town drunk warbling nonsense while sitting on a hobby horse isn’t supposed to make sense to anyone but Jesus Franco. Naturally, Lina Romay, with her prime deep in her rear-view mirror, wanders through the proceedings trying to solve whatever mystery the director has foisted on the story.
And it’s as though Franco is daring you to try to understand or even try to enjoy anything he puts in front of you. Read More »
A young woman visits her gravely ill grandmother at the family estate. On her death bed, the old woman reveals to her granddaughter the family curse: they’re all vampires. The young woman decides to move into the estate with her uncle and her cousin, and soon finds herself falling victim to the curse. Read More »
Jess Franco and Lina Romay co-directed this film, which is a vile, rather disgusting and lazy “comedy/porno”. The American title is Lulu’s Talking Ass so that should tell you something. In the film, a talking ass (provided by Romay) tells various sexual stories and we get to see the scenes. Even by Franco standards this thing here is pretty useless and the sex scenes never enter the erotic zone but instead go towards the vile level. Once again it seems this film was shot in the matter of days if not hours and it really shows on screen. I had to view the film in Spanish without any subs so I’m not sure if the “talking ass” has any good dialogue or not. The funniest moment of the film is when one of the male actors goes to switch positions and accidentally falls off the bed. Being Franco, he left it in the film. Franco’s opinion of the Academy Awards also gets a special mention since the talking ass comes upon an Oscar and does something to it, which I won’t mention here. Read More »
A group of women are kidnapped by guerrillas and forced to serve as prostitutes for them in a jungle brothel. The sadistic female warden decapitates uncooperative girls.
Jess Franco has made some odd exploitation movies in his long and prolific career, and ‘Love Camp’ is one of his nuttiest. Never one to shy from jumping on a bandwagon, the title of this seems to deliberately evoke the legendary nazisploitation sleazefest ‘Love Camp 7’, and the plot in some ways is reminiscent of ‘Salo’, but with a twist. The twist being, that we aren’t talking nazis here but revolutionaries. A group of young and beautiful women are kidnapped, taken into the jungle (what country? who knows) , and forced to be sex slaves for “the revolution”. Read More »
the IMDB wrote:
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his “erotic” books and its power so affects her that begins to find herself sexually attracted to her stepfather. He notices this, and eventually brings her into his dark world of sexual perversion and murder. Read More »
Review from DVDTalk:
My first introduction to the oddball cinema of Spanish filmmaker Jesus ‘Jess’ Franco came one night about 3am while channel surfing in my parent’s basement. I’d just gotten back from college, it was time for the summer break, and I’d only minutes beforehand returned from an evening at the pub. I came across what appeared to be a pair of lesbian vampires doing their thing set to a be-bopping score and some whacked out colors and it instantly caught my attention. I didn’t really know what I was watching and didn’t find out until the film was finished that it was one of Franco’s most popular films, Vampyros Lesbos. That semi-intoxicated late night initiation led me to seek out more of the man’s work, and since that night over ten years ago I’ve become a casual fan of his wildly uneven catalogue of work. His films may not always be good in the traditional sense of the word, but they’re always interesting and there’s always a little piece of himself put into his work. Read More »