The new movie written and directed by Jim Jarmusch is a total fantasy. This in spite of being shot on the streets of the New Jersey city in which it is set, and for which the movie itself and its lead character are named. It’s as much of a fantasy as Jean Cocteau’s “Orpheus,” another great film about a poet that was at least partially set in the “real” contemporary world. It’s maybe not as much of a fantasy as the “Lord of the Rings” trilogy. Continue reading Jim Jarmusch – Paterson (2016)
An in-depth look at the legendary punk band, The Stooges. Continue reading Jim Jarmusch – Gimme Danger (2016)
A collection of five stories involving cab drivers in five different cities. Los Angeles – A talent agent for the movies discovers her cab driver would be perfect to cast, but the cabbie is reluctant to give up her solid cab driver’s career. New York – An immigrant cab driver is continually lost in a city and culture he doesn’t understand. Paris – A blind girl takes a ride with a cab driver from the Ivory Coast and they talk about life and blindness. Rome – A gregarious cabbie picks up an ailing man and virtually talks him to death. Helsinki – an industrial worker gets laid off and he and his compatriots discuss the bleakness and unfairness of love and life and death. Continue reading Jim Jarmusch – Night on Earth (1991)
The Limits of Control is the new movie from filmmaker Jim Jarmusch (Broken Flowers, Down by Law).
The film is set in the striking and varied landscapes of contemporary Spain (both urban and otherwise).
The location shoot there united the writer/director with acclaimed cinematographer Christopher Doyle
(In the Mood for Love, Paranoid Park).
Isaach De Bankolé stars in the lead role for Mr.
Jarmusch; this marks the duos fourth collaboration over nearly two decades, following Night on Earth,
Ghost Dog: The Way of the Samurai, and Coffee and Cigarettes.
The Limits of Control also features several other actors with whom Mr.
Jarmusch has previously worked, including Alex Descas, John Hurt, Youki Kudoh, Bill Murray, and Tilda Swinton;
and actors new to his films, including Hiam Abbass, Gael García Bernal,
Paz De La Huerta, Jean-François Stévenin, and Luis Tosar.
The Limits of Control is the story of a mysterious loner (played by Mr. De Bankolé),
a stranger, whose activities remain meticulously outside the law. He is in the process of completing a job,
yet he trusts no one, and his objectives are not initially divulged.
His journey, paradoxically both intently focused and dreamlike,
takes him not only across Spain but also through his own consciousness.
Continue reading Jim Jarmusch – The Limits of Control [+Extras] (2009)
Noted indie director Jim Jarmusch directs the vampire story Only Lovers Left Alive. Tom Hiddleston stars as Adam, a bloodsucker who makes a living as a reclusive musician. He reunites with the love of his life, Eve (Tilda Swinton) a fellow vampire who leaves her home overseas to be with him in the downtrodden Motor City. They eventually get a visit from Eve’s irresponsible sister (Mia Wasikowska) who irritates Adam and eventually causes trouble with the one human – the vampires refer to the living as zombies — with whom the depressed music hero gets along.
Continue reading Jim Jarmusch – Only Lovers Left Alive (2013)
In Jersey City, an African American hit man follows “Hagakure: The Way of the Samurai.” He lives alone, in simplicity with homing pigeons for company, calling himself Ghost Dog. His master, who saved his life eight years ago, is part of the local mob. When the boss’ daughter witnesses one of Ghost Dog’s hits, he becomes expendable. The first victims are his birds, and in response, Ghost Dog goes right at his attackers but does not want to harm his master or the young woman. On occasion, he talks with his best friend, a French-speaking Haitian who sells ice cream in the park, and with a child with whom he discusses books. Can he stay true to his code? And if he does, what is his fate? Continue reading Jim Jarmusch – Ghost Dog: The Way of the Samurai (1999)
Two years before Jim Jarmusch obtained studio backing for the release of his cult hit Stranger than Paradise, he concocted this independent study of a young man named Allie (Chris Parker) who wanders around Manhattan. He runs into a few friends and strangers on the street and discusses Charlie Parker. He visits his institutionalized mother. He drops in on his girlfriend. If this seems a little erratic, it is, but Jarmusch has a way of working miracles from such material. — John Voorhees Continue reading Jim Jarmusch – Permanent Vacation (1982)