Made on short ends of film left over from The Bed You Sleep In, Frameup is a freewheeling road comedy about a pair of dimwitted lovers on the run. Ricky-Lee (Howard Swain), a two-bit criminal prone to spouting lengthy, obscenity-laced soliloquies, meets Beth-Ann (Nancy Carlin), an airheaded waitress with a weakness for romance novels, at the diner where she slings coffee. Immediately smitten, she joins him on a meandering journey across the Pacific Northwest — punctuated by the occasional robbery — and on into California, where the couple dream of heading to the sunny beaches of Los Angeles. Ricky-Lee’s ineptitude catches up with him eventually, however, and their trip is cut short when a convenience store robbery goes awry. Continue reading
The title refers to a rare etching of Dutch artist Rembrandt. Jon A. English plays a young musician who expresses his love for former girl friend Barbara Hammes by presenting her with a Xeroxed copy of the Rembrandt etching. Though Hammes is touched, she doesn’t want to get back together with English. And that’s what passes for a plot in this collection of loosely related visual anecdotes, recording the separate day-to-day existences of English and Hammes. Devotees of director Jon Jost will uncover profundities in every scene; those who aren’t so taken by Jost will scratch their heads and wonder what all the shouting is about.allmovie Continue reading
IMDB user review
31 July 2007 | by (peacecreep) (United States)
Shot on 16mm in rural Utah in the early 90’s, Sure Fire is obscure American cinema at its finest. Josts style is very unique, containing many long scenes of dialogue, and beautiful photography of landscapes. This film contains some of the longest, most engaging monologues I’ve ever seen or heard, courtesy of the lead actor, Tom Blair. Blair is an amazingly strange actor that really gets into his roles. All I can really say is watch him work, it is fascinating.
The story was developed in accordance with the people Jost met in Utah and what was going on in their lives and the area at the time. The story concerns Tom Blair’s character, Wes, wanting to sell real estate to people moving to his town from California. It goes on to explore his relationship with the people close to him.
At times, the film feels like a weirder version of Twin Peaks, and that’s a very good thing. But it is no doubt a singular vision by a truly underground filmmaker. It is hard to find, but worth the hunt. -James Sinclair 7/07 Continue reading