Jordan Belson – Samadhi (1967)

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Notable film theorist Gene Youngblood has this to say about the “Cosmic Cinema” of Jordan Belson in his classic book “Expanded Cinema”:

“Certain phenomena manage to touch a realm of our consciousness so seldom reached that when it is awakened we are shocked and profoundly moved. It’s an experience of self-realization as much as an encounter with the external world. The cosmic films of Jordan Belson possess this rare and enigmatic power. Continue reading

Jordan Belson – Allures (1961)

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Originally a widely-exhibited painter, Jordan Belson turned to filmmaking in 1947 with crude animations drawn on cards, which he subsequently destroyed. He returned to painting for four years and in 1952 resumed film work with a series that blended cinema and painting through the use of animated scrolls. The four films produced in the period 1952-53 were Mambo, Caravan, Mandala, and Bop Scotch. From 1957-59 he worked with Henry Jacobs as visual director of the Vortex Concerts at Morrison Planetarium in San Francisco. Simultaneously he produced three more animated films, Flight (1958), Raga (1959), and Seance (1959). Continue reading