Abdulla Karsakbayev – Menya zovut kozha aka My Name is Kozha (1964)

s3913270 Abdulla Karsakbayev   Menya zovut kozha aka My Name is Kozha (1964)

29f7c043f76a2bde437fd0d52a185152 Abdulla Karsakbayev   Menya zovut kozha aka My Name is Kozha (1964)

Koja is really a little brat nobody can tame. His mother, neighbours and even his head teacher don’t know how to deal with such a boy any more. The head teacher tells him that, unfortunately, he is not like his father who died at war. Koja makes promises, but he forgets them as soon as he leaves the head teacher’s office … “Working on a film with children should be like a game so that the shooting does not weight heavily on them. All children are by nature actors and story tellers. They simply express this penchant in more or less obvious ways. ” Abdulla Karsakbaiev
Source Festival de Vesoul, 2012
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Darezhan Omirbayev – Jol AKA The Road (2001)

0301481 Darezhan Omirbayev   Jol AKA The Road (2001)

29f7c043f76a2bde437fd0d52a185152 Darezhan Omirbayev   Jol AKA The Road (2001)

A filmmaker arrives at a crossroads in his life and his art when he learns his mother may be dying in this drama with comedic overtones from director Darezhan Omirbaev. Amir Kobessov (Djamshed Usmonov) is a well-respected filmmaker from Kazakhstan who, both professionally and personally, is suffering from a crisis of confidence. Amir is beginning to wonder if audiences are still interested in his work, and he has a recurring nightmare in which his latest premiere is scotched in favor of a low-budget chop-socky epic. At home, Amir and his wife are not getting along, and both are struggling to keep their marriage afloat. When Amir receives word that his mother is seriously ill, he hops in his car and sets out to visit her in the small village where he was born; along the way, Amir finds himself examining his past as he tries to come to terms with an uncertain future. Jol was screened as part of the Un Certain Regard series at the 2001 Cannes Film Festival.
~ Mark Deming, All Movie Guide
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Darezhan Omirbayev – Tueur à gages AKA Killer (1998)

 Darezhan Omirbayev   Tueur à gages AKA Killer (1998)

thgc Darezhan Omirbayev   Tueur à gages AKA Killer (1998)

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Darezhan Omirbaev (Kairat, Kardiogramma) directed this French-Kazakh film about a young man driven to the precipice in an uncaring world. Marat (Talgat Assetov) works as a chauffeur for a well-known scientist. Driving home from the maternity hospital with his wife Aijan (Roksana Abouova) and their new baby boy, Marat is at fault during a minor traffic accident. The damage payments on both cars put him in debt. Unable to cover costs when the baby gets sick, Marat finds it necessary to follow a gangster’s bidding to murder a journalist. Shown in the Certain Regard Section at the 1998 Cannes Film Festival. Continue reading

Darezhan Omirbayev – Student (2012)

 Darezhan Omirbayev   Student (2012)

thgc Darezhan Omirbayev   Student (2012)

The film is based on “Crime and Punishment” by Fyodor Dostoevsky. Action takes place in modern Kazakhstan. The film’s protagonist is The Student whose major at the university is philosophy. He rents a basement room from an old woman living in the suburbs and suffers from a permanent lack of money and loneliness. The Student is stressed by the surrounding atmosphere of poverty and the ideology of total survival competition, the division of people into rich and poor, strong and weak… Influenced by all these, The Student decides to rob the nearest convenience store where he buys some bread time to time… Continue reading

Sergei Bodrov & Ivan Passer – Nomad (2005)

 Sergei Bodrov & Ivan Passer   Nomad (2005)

thgc Sergei Bodrov & Ivan Passer   Nomad (2005)

18th century Kazakhstan, a vast, pitiless region of austere and terrible beauty, bordered by China, Russia and Tibet. Here the proud and warlike Kazakh tribes have survived and fought for centuries – against invaders, against their formidable Jungar enemies and amongst themselves.
Oraz, a mystic and warrior possessed of great powers, foretells the birth of a new star, a hero. This boy -Mansur – is destined to unite the Kazakhs, and lead them to glorious victory against their enemies. Fearful of Oraz’ prediction, the Jungar ruler Galdan orders his General, Sharish, to find the child and slay him. However, Oraz saves Mansur and delivers him to his father, Sultan Wali. Continue reading

Sultan Khodzhikov – Kyz-Zhibek AKA Lady Zhibek (1971)

 Sultan Khodzhikov   Kyz Zhibek AKA Lady Zhibek (1971)

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Kyz-Zhibek – Kazakh poetic folk legend of the 16th century, tells about the period in the Kazakh nation when the people suffered from bloody feuds. In those times each province of the Kazakh nation had its own Khan and each tried to supersede the other. The love story of Tolegen, the brave warrior, and the beauty Zhibek ends tragically because of inter-family strife. Tolegen is foully murdered by Bekejan (the batyr, or nobleman, of the rival family), who earlier strived for the hand of Zhibek. Zhibek commits suicide after learning about the death of Tolegen.

16 variants of the legend exist in different parts of Kazakhstan.

In 1934 opera “Kyz-Zhibek” was staged in Abay Opera House (music – Eugeny Brusilovsky, libretto – Gabit Musrepov).

In 1970 Kazakhfilm made film based on the legend.

In 1988 the poem was translated into Russian by Kazakh poet Bakhytzhan Kanapyanov. Continue reading

Darezhan Omirbayev – Kairat (1992)

kairatscreenshot2bu1 Darezhan Omirbayev   Kairat (1992)

thgc Darezhan Omirbayev   Kairat (1992)

Kairat, the first feature film from „Kazakh new wave“ film director Darezhan Omirbaev, tells the story of a young man from a village in Kazakh steppe and his initiation into life in the big city.

KAIRAT
Darezhan Omirbaev, Kazakhstan, 1991; 72m
“This 34-year-old filmmaker has invented an entire universe,” wrote Jean-Michel Frodon in Le Monde, and he was right. Darezhan Omirbaev may well have been inspired by Bresson and Hitchcock, but he has indeed created his very own universe in the five films he’s made since the late 80s. The disconnected events of his films are simple – a boy travelling on a train from the steppe to the city, riding on a bus, going to a movie and brushing bare arms with his date, wandering through a train yard. But every form, every movement, every gesture seems to have found its precise poetic place, and the emotional terrain contained within his first feature feels as vast as an ocean. Kairat is the name of Omirbaev’s autobiographically inspired hero, who moves through life exactly as many of us do when we’re adolescents – awkwardly, in bewildered confusion, guarding a wealth of emotions deep within us like a buried treasure. One of the best films of the 90s. Continue reading

pixel Darezhan Omirbayev   Kairat (1992)