MDB: Nice and sad Fairytale
I was pretty surprised to see this rare Kazach film. First of all it touches upon great Asian folk atmosphere and has wonderful music, partly composed by master of soviet electronic music Edward Artemeyev. The director shows great visionary in the film. Some parts of the film are made in colour-the rest are black and white. The story is also something new for me: a blind bagger-girl meets a steppen killer, who decides to protect her on her hard life way. They meet a lot of dangers and wise old men and stayed alive after really creepy moments. Finally they reached the girl’s motherland. Here the ways of them two separate really dramatically. One can see some gore moments in this philosophic tale. Continue reading
Educational film by Darezhan Omirbayev for film schools students.
A series of educational films, “Autographs” is a textbook for students of cinema department, which is dedicated to the works of great authors of word cinema. These films show and explore the most colorful and unique pieces that are typical and repetitive directorial techniques from the film (scenes), which are important in the work of one or another author. In the processof viewing and analysis of educational films, students studying filmmaking, film studies, as well as the cinematography, will be able to become better acquainted with the work of the filmmakers of world cinema – identify importa,t artistic techniques and visual solutions, which subsequently formed different directions in the cinema, and made the foundation of the evolution of “cinema language”. “Autographs” promote deeper study of the existing methods of film direction, and help to identify and compare in a condensed form the features of the style, filmmajer’s “handwriting”. “Autographs” include a series of educational films, manuals on a brief study of the works of such distinguished filmmakers as Jean Vigo, Michelangelo Antonioni, Alfred Hitchcock, Ingmar Bergman, Andrei Tarkovsky, Robert Bresson and others. Continue reading
A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. Continue reading
Lonely Kazakh teenager Aslan is bullied at his new school. He prepares himself for a bloody revenge on the school bully Bolat. Continue reading
Koja is really a little brat nobody can tame. His mother, neighbours and even his head teacher don’t know how to deal with such a boy any more. The head teacher tells him that, unfortunately, he is not like his father who died at war. Koja makes promises, but he forgets them as soon as he leaves the head teacher’s office … “Working on a film with children should be like a game so that the shooting does not weight heavily on them. All children are by nature actors and story tellers. They simply express this penchant in more or less obvious ways. ” Abdulla Karsakbaiev
Source Festival de Vesoul, 2012
A filmmaker arrives at a crossroads in his life and his art when he learns his mother may be dying in this drama with comedic overtones from director Darezhan Omirbaev. Amir Kobessov (Djamshed Usmonov) is a well-respected filmmaker from Kazakhstan who, both professionally and personally, is suffering from a crisis of confidence. Amir is beginning to wonder if audiences are still interested in his work, and he has a recurring nightmare in which his latest premiere is scotched in favor of a low-budget chop-socky epic. At home, Amir and his wife are not getting along, and both are struggling to keep their marriage afloat. When Amir receives word that his mother is seriously ill, he hops in his car and sets out to visit her in the small village where he was born; along the way, Amir finds himself examining his past as he tries to come to terms with an uncertain future. Jol was screened as part of the Un Certain Regard series at the 2001 Cannes Film Festival.
~ Mark Deming, All Movie Guide
Darezhan Omirbaev (Kairat, Kardiogramma) directed this French-Kazakh film about a young man driven to the precipice in an uncaring world. Marat (Talgat Assetov) works as a chauffeur for a well-known scientist. Driving home from the maternity hospital with his wife Aijan (Roksana Abouova) and their new baby boy, Marat is at fault during a minor traffic accident. The damage payments on both cars put him in debt. Unable to cover costs when the baby gets sick, Marat finds it necessary to follow a gangster’s bidding to murder a journalist. Shown in the Certain Regard Section at the 1998 Cannes Film Festival. Continue reading