Keisuke Kinoshita

Keisuke Kinoshita – Utae wakado-tachi AKA Sing, Young People (1963)

Quote:
A college student receives a surprising offer to be a movie star in this unlikely Kinoshita film, sort of college film by the veteran director including even semi nude scene, but eventually the same themes of dreams versus reality and alienation come to the surface.
Still, it’s one of his lighthearted films. Read More »

Keisuke Kinoshita – Umi no hanabi AKA Fireworks Over the Sea (1951)

Free Image Hosting at www.ImageShack.us

29f7c043f76a2bde437fd0d52a185152

Quote:
A fishing union depends on two brothers to make up the losses caused by the dishonest captains they replaced.
Read More »

Keisuke Kinoshita – Narayama bushikô AKA Ballad of Narayama (1958)

29f7c043f76a2bde437fd0d52a185152

Quote:
In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, whose girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin’s loving and accepting spirit teach and ennoble her family? Read More »

Keisuke Kinoshita – Shonenki AKA Boyhood (1951)

29f7c043f76a2bde437fd0d52a185152

Quote:
When a family has to relocate due to the war, they are ostracized by their new community.

About the director:

  One of Japan’s most popular filmmakers after World War II, Keisuke Kinoshita (1912-1998) was a prolific director, writer, and producer, specializing in sentimental dramas and comedies and the use of innovative, expressionistic sets.

Rarely have any of Kinoshita’s fifty or so films been shown outside of Japan, but in that country he was a well-known director who pioneered the use of color in film and repeatedly touched on domestic themes that resonated with Japanese audiences. Despite his conventional plots and subject matter, Kinoshita was often willing to experiment with avant-garde techniques.

Eventually Acclaimed

Read More »