Lav Diaz

Lav Diaz – Batang West Side AKA West Side Avenue (2001)

A Filipino teenager (Yul Servo) is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out not only more about him but about the community of Filipinos in America in general, including the destructive effect of the drug “shabu” on its youth. The detective who handles the case (Joel Torre) also has his own personal demons to settle with his violent past. Read More »

Lav Diaz – The Boy Who Chose The Earth (2018)

Both the shortest Lav Diaz film, and the longest Viennale trailer:

Quote:
VIENNALE TRAILER 2018
THE BOY WHO CHOSE THE EARTH by Lav Diaz

The Viennale is pleased to announce that this year’s trailer was created by the multiple award-winning Filipino director Lav Diaz. Many of his films, outstanding also due to their length, have been shown at previous Viennale festivals. In 2014 he won the Golden Leopard at the Locarno International Film Festival and two years ago the Golden Lion at the Venice Film Festival for THE WOMAN WHO LEFT. Read More »

Lav Diaz – Hele sa hiwagang hapis AKA A Lullaby to the Sorrowful Mystery (2016)

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Synopsis
The search for the body of Andres Bonifacio. Read More »

Lav Diaz – Ang babaeng humayo aka The Woman Who Left (2016)

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Synopsis
After spending the last 30 years in prison, Horacia is immediately released when someone else confessed to the crime. Still overwhelmed by her new freedom, she comes to the painful realization that her aristocratic former lover had set her up. As kidnappings targeting the wealthy begin to proliferate, Horacia sees the opportunity to plot her revenge. Read More »

Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

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An intimate
made with uncompromising and austere seriousness, Lav Diaz’s “Evolution of a Filipino Family” patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987. Ten-hour running time, radically slow pace and hyperminimalist mise en scene will excite international cinephiles at the most daring fests and showcases, which are the only conceivable venues outside of homevid. Read More »

Lav Diaz – Ebolusyon ng isang pamilyang Pilipino AKA Evolution of a Filipino Family (2004)

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An intimate epic made with uncompromising and austere seriousness, Lav Diaz’s “Evolution of a Filipino Family” patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987. Ten-hour running time, radically slow pace and hyperminimalist mise en scene will excite international cinephiles at the most daring fests and showcases, which are the only conceivable venues outside of homevid. Read More »

Lav Diaz – Elehiya sa dumalaw mula sa himagsikan AKA Elegy to the Visitor from the Revolution (2011)

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Like Prologue to the Great Desparecido, Elegy finds Diaz looking back to the Filipino Revolution of the last years of the 19th century. Here, he imagines a woman from that era visiting the Philippines of the present-day. Around her time-travel, Diaz weaves a three stories with characters drawn from his usual stock: a prostitute, a musician and three petty criminals. As so often in Diaz’s recent work, Elegy looks back to the Revolution to measure the vast distance between the hopes of that defeated movement and the poverty, desperation and corruption (both political and spiritual) of the Philippines today Read More »