“Insiang” is Lino Brocka’s tale of one girl’s coming of age in the slums of Manila. The title character, played by Hilda Koronel, is a young girl who lives in a small crowded shanty with her mother, Tonia (Mona Lisa). Her boyfriend Danny (Rez Cortez) treats her little better than a sex object and her mother’s lover Dado (Ruel Vernal), overcome by desire for young Insiang, rapes her in her own home. She runs to her mother for sympathy but gets rejected instead. Disillusioned and worn out, Insiang decides on revenge.
“Insiang” has the distinction of being the first Filipino film to be screened at the Cannes Film Festival in 1978, where both Lino Brocka and Hilda Koronel garnered much attention and acclaim from the international film community. The film also earned a number of important awards and nominations including the Manila Film Festival Best Actress Award for Koronel. Continue reading
Lino Brocka’s films combine popular melodrama, political import, and intense realism with a vivid, economical style. Made on impossibly low budgets on the fringes of the Philippine film industry, his movies have an urgency and immediacy that spring both from Brocka’s burning ideological commitments (he was one of the most outspoken critics of the Marcos regime) and his resourceful, imaginative approach to the exigencies of borderline production. Set in the Manila slums, this 1976 effort is centered on a teenage girl struggling to stay afloat in the overwhelming, dehumanizing poverty that surrounds her. Her mother, who operates a tiny fish market, takes in a local hood as a lover, but the thuggish pretty-boy is clearly more interested in Insiang. After he rapes her (in a single-take sequence astonishing in its curtness and brutality), Insiang plans her revenge–a revenge that is also a revolution against the unseen government that endorses the system of exploitation. With Hilda Koronel. Continue reading
From Database of Philippine Movies :
Tinimbang, considered by Lino Brocka as his “first novel” and his first production for his own film outfit, is the story of a young boy growing up in a small town and the unusual friendship he develops with a leper and the village idiot. Their stories draw forth the true nature of hypocrisy in the small town and the boy bears witness and participates in the various emotions that throb under the seemingly quiet village life-prejudice, cruelty, forgiveness, and even love. In Tinimbang, Brocka clearly shows man’s limitations as a mortal being, but sends a message of hope for the movie, and in the end, speaks ultimately of rebirth and maturity. Continue reading
Manila: In the Claws of Darkness is the most impressive of his films noirs, made with bows to the American cinema, to Italian neo-realism and to his own country’s tradition of star-driven melodramas, but with the force of a third-world director determined to say something about his own society.It is the richly romantic but realistic odyssey of a boy named Julio, who arrives in Manila from the country to search for his childhood sweetheart. The darkness of the title refers to the capital itself, which, said Brocka, exerts an invisible force on the lives of its people. Continue reading