Ming-liang Tsai – Hei yan quan aka I Don’t Want To Sleep Alone (2006)

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Plot Synopsis by Jason Buchanan (allmovie.com)
A homeless Chinese itinerant is attacked by thugs in Kuala Lampur, only to fall in with a group of kind but curious Bangladeshi men and other fascinating denizens of the smog-soaked city in director Tsai Ming-liang’s minimalist mediation on contemporary life in the Malaysian capitol. Hsiao-kang (Lee Kang-sheng) has been injured in a brutal street attack, and after being brought to the crumpling abode of a group of Bangladeshi men, he is nursed back to help on the musty mattress of his benevolent rescuer Rawang (Norman Bin Atun). Upon gaining the strength to venture out on his own, Hsaio-kang makes the acquaintance of pretty Chinatown waitress Chyi (Chen Siang-chyi) – who currently works and lives with her female boss (Pearlly Chua). In another part of the city, a paralyzed man (also played by Lee) is tended to by a team of nurses before being moved from the hospital to the women’s tenement. When a toxic fog descends upon the city and the citizens are sent running for cover, Hsaio-kang finds his already complicated relationship with his three new acquaintances taking on a whole new, and decidedly surreal, dimension Continue reading

L. Krishnan – Raden mas (1960)

Quote:
Between the end of the Second World War and the early 1960s, the Cathay Organization and Shaw Brothers produced a string of films in Singapore, that were made for the Malay-speaking audience in what was then called Malaya. Both companies are today better know for their Cantonese Kung Fu flicks and other genre movies, that they started to produce when they moved to Hong Kong after Singapore separated from the Malay federation and became an independent, Chinese-dominated city state in 1963. This was the end of this “Golden Age of Malay cinema”, since it became difficult to distribute Singapore-made films in Malaysia due to political pressure. Continue reading