Le Jour se lève (or Daybreak) is a 1939 French film directed by Marcel Carné and written by Jacques Prévert, based on a story by Jacques Viot. It is considered one of the principal examples of the French film movement known as poetic realism.
In 1952, it was included in the first Sight and Sound top ten greatest films list.
After committing a murder, a man locks himself in his apartment and recollects the events the led him to the killing. Continue reading Marcel Carné – Le Jour se lève aka Daybreak (1939)
Two wandering minstrels, Gilles and Dominique, arrive at the castle of the Baron Hugh just as he announces the engagement of his daughter Anne to the knight Renaud. However Gilles and Dominique have really sold their souls to The Devil and have been charged with traveling throughout the land and tempting mortals into damnation by causing them to fall in love with them. Dominique causes both Renaud and Hugh to fall for her. Meanwhile Gilles seduces Anne but then falls for her himself. And so The Devil arrives in person to visit a cruel punishment on the two lovers. Continue reading Marcel Carné – Les visiteurs du soir AKA The Devil’s Envoys (1942)
Even in 1945, Marcel Carné’s Children of Paradise was regarded as an old-fashioned film. Set in the Parisian theatrical world of the 1840s, Jacques Prévert’s screenplay concerns four men in love with the mysterious Garance (Arletty). Each loves Garance in his own fashion, but only the intentions of sensitive mime-actor Deburau (Jean-Louis Barrault) are entirely honorable; as a result, it is he who suffers most, hurdling one obstacle after another in pursuit of an evidently unattainable goal. In the stylized fashion of 19th-century French drama, many grand passions are spent during the film’s totally absorbing 195 minutes. Amazingly, the film was produced over a two-year period in virtual secrecy, without the knowledge of the Nazis then occupying France, who would surely have arrested several of the cast and production staff members (including Prévert) for their activities in the Resistance. Children of Paradise has gone on to become one of the great romantic classics of international cinema. Continue reading Marcel Carné – Les enfants du paradis aka Children Of Paradise [+Commentary] (1945)
S y n o p s i s:
February 1945. In the Paris metro, manual worker Jean Diego is accosted by a tramp, who introduces himself as Fate and lets slip the tragic future that awaits him. According to Fate, Diego is destined to meet a beautiful young woman he once encountered in the past. Sure enough, within a few hours, Diego runs into Malou, the woman he has long dreamed of. Malou is grateful for Diego’s company, particularly as she has just walked out on her husband Georges, a man for whom she is ill-suited. Ignoring a warning from the tramp that he is heading for an unpleasant death, Malou’s cruel brother Guy sets out to stir up trouble for his own amusement. Having told Georges that his wife has fallen for another man, Guy hands him his gun. The trap is sprung and the outcome is just as the tramp predicted… Continue reading Marcel Carné – Les portes de la nuit AKA Gates of the Night (1946)
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre lacks of courage and ran away. Another customer, Monsieur Edmond, a procurer, rescues her. When Renee goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in love with her, but Renee is still thinking of Pierre … Continue reading Marcel Carné – Hôtel du Nord (1938)
Down a foggy, desolate road to the port city of Le Havre travels Jean (Jean Gabin), an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news. Also starring the blue-eyed phenomenon Michèle Morgan in her first major role, and the menacing Michel Simon, Port of Shadows (Le Quai des brumes) starkly portrays an underworld of lonely souls wrestling with their own destinies. Based on the novel by Pierre Mac Orlan, the inimitable team of director Marcel Carné and writer Jacques Prévert deliver a quintessential example of poetic realism and a classic film from the golden age of French cinema. Continue reading Marcel Carné – Le Quai des brumes aka Port of Shadows [+Extras] (1938)