Marcel Hanoun – Le printemps (1971)


One could only enumerate the elements to let the film tell itself. And this is besides one possible purpose of Hanoun here. Just let things communicate between themselves without the coercition of usual continuums (space and time) and let’s see and feel what happens. Yet there are clues given, relations but they are separated when one could await a close editing and vice versa. There seems to have two worlds, cinematographic worlds I mean : B&W and colour and things circulate from one world to another, people too…

But let’s just enumerate
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Marcel Hanoun – L’automne AKA Autumn (1971)


Synopsis: Julien, a movie director, is on the phase of editing his new film, “Juliette sacrifiée”. Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about, make love, and finally end up editing the film as was planned. Continue reading

Marcel Hanoun – Une simple histoire AKA A Simple Story (1959)

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Hanoun made “Une Simple Histoire” in 1958, but it looks more like 1938, with its dark, low-contrast photography (it was shot in 16-mm.), its unglamorous realism, and its heroine with her penciled eyebrows and her unstylishly bobbed hair. The heroine (Micheline Bezançon, the only player given credit in the program, although there are several other important roles) is a poor youngish woman who, with her little daughter, comes to Paris looking for a job. She doesn’t get a job, and when, eventually, she can’t afford a place to sleep she spends a night out of doors. She is discovered by a kindly older woman who takes her in (this is where the movie actually begins), and in whose apartment, in one extended flashback, she tells her story. Continue reading