Rejs is considered as a masterpiece by many and as the earliest cult film in Polish cinema. Shot in a quasi-documentary style, with a cast featuring not more than two or three professional actors, the absurd plot parodies life in the People’s Republic of Poland, reducing a weekend river cruise to a hilarious parody of the entire communist system.
A stowaway (Stanislaw Tym) sneaks aboard a ship departing on a cruise down the Vistula River. The captain takes him for a Communist Party cultural coordinator and the intruder gladly adapts to his new role, immediately setting to work at manipulating the passengers and crew into silly and vaguely humiliating games. Before long, Tym has got everyone under his thumb and created his own comedic dictatorship. A memorable performance was given by Jan Himilsbach, an amateur actor who formerly carved tombstones. Continue reading