Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese’ captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year. Part documentary, part concert film, part fever dream, ‘Rolling Thunder’ is a one of a kind experience, from master filmmaker Martin Scorsese. Read More »
A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process. Read More »
This 1993 film, directed by Martin Scorsese, brings the Edith Wharton novel to life.
Here it is — all the social comment and smoldering unrequited passions originally
intended by the author. And now it’s in living color with academy award winning costume
design reflecting New York society in the 1870s.
Daniel-Day Lewis is cast as Newland Archer, the upper class young man in conflict
between social convention and desire. Michelle Pfeiffer plays the Countess Ellen Olenska,
who has already defied convention by marrying a European and is further defying
convention by leaving her husband and returning to New York. However, in spite of his
attraction to the countess, Newland Archer marries the beautiful but seemingly simple
May Welland, played by Wynona Ryder, whose outstanding performance won her an academy
award nomination. Read More »
Directed by Martin Scorsese, George Harrison – Living in the Material World is a stunning double-feature-length film tribute to one of music’s greatest icons.
Scorsese uses never-before-seen footage from George Harrison’s childhood, throughout his years with The Beatles, through the ups and downs of his solo career, and through the joys and pain of his private life, to trace the arc of George’s journey from his birth in 1943 to his passing in 2001. Living in the Material World features private home videos, photos and never before heard tracks to chronicle the incredible story of the extraordinary man. Read More »
The omnibus film New York Stories is the product of three powerhouse filmmakers, with the best saved for last. The film is divided into three stories, each exploring a different aspect of life in the Big Apple. Life Lessons, directed by Martin Scorcese, is a Dostoevsky-like tale of the rarefied Art World, with Nick Nolte as a self-indulgent abstractionist who loves Rosanna Arquette, but can’t bring himself to lie to her about her negligible artistic talents. Life Without Zoe, directed by Francis Ford Coppola, is more than a little reminiscent of Kay Thompson’s Eloise stories, with 12-year-old Zoe (Heather McComb) running amok at the Sherry-Netherland hotel while her parents are embarked upon a world-girdling vacation. The last and (as we said) the best is Woody Allen’s Oedipus Wrecks, wherein a schnooky Jewish lawyer (guess who?) inadvertently “creates” the Jewish Mother From Hell: thanks to a misguided magic trick, Allen’s mama (the incomparable Mae Questel) becomes a huge spectral vision on the New York skyline, telling everyone within earshot about her son’s inadequacies! The cinematographer lineup on New York Stories includes Nestor Almendros, Vittorio Storaro and Sven Nykvist, whose very different photographic styles blend with for more harmony than the three directors’ approaches. Read More »
Portrait of an artist as a young man. Roughly chronological, using archival footage intercut with recent interviews, a story takes shape of Bob Dylan’s (b. 1941) coming of age from 1961 to 1966 as a singer, songwriter, performer, and star. He takes from others: singing styles, chord changes, and rare records. He keeps moving: on stage, around New York City and on tour, from Suze Rotolo to Joan Baez and on, from songs of topical witness to songs of raucous independence, from folk to rock. He drops the past. He refuses, usually with humor and charm, to be simplified, classified, categorized, or finalized: always becoming, we see a shapeshifter on a journey with no direction home. Read More »
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his “friend” Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it’s obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife.– IMDb. Read More »