Masahiro Shinoda

Masahiro Shinoda – Yari no gonza aka Gonza the Spearman (1986)

A lancer falls into disgrace when his social ambitions lead him to become engaged to two different women.

Quote:
LEAD: Don’t be put off by the title. ”Gonza the Spearman” is not an Eastern western. Masahiro Shinoda’s stately work, which opens the Public Theater’s Autumn in Japan series today, has few duels and only a gout or two of blood. Instead, it is filled with historical imagination, social comment and restrained passion, along with scene after elegantly composed scene of a culture that seems to have been paralyzed in a spare beauty. Read More »

Masahiro Shinoda – Chinmoku AKA Silence (1971)

Synopsis:
Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and to locate their mentor. Read More »

Masahiro Shinoda – Kawaita hana AKA Pale Flower (1964)

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Quote:
Like Imamura and Oshima, Shinoda Masahiro was a university-educated intellectual who was employed by Shochiku as an assistant director in the early 1950s and felt stifled by the company’s conservatism. But Shinoda was less openly rebellious than the other two and took the opportunity to learn a great deal about camera technique, editing and shot composition by working conscientiously as an assistant to all of the company’s leading directors. Read More »

Masahiro Shinoda – Waga koi no tabiji AKA Epitaph to My Love (1961)

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Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji. Read More »

Masahiro Shinoda – Sakura no mori no mankai no shita AKA Under the Blossoming Cherry Trees (1975)

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Plot:
When a mountain man (Lone Wolf and Cub’s Tomisaburo Wakayama) kills a man and steals his wife (Shima Iwashita), he bites off more than he can chew. Rather than being a submissive victim, the beautiful woman soon browbeats her murderous husband into total compliance, convincing him to murder all but one member of his harem of dirty mountain women. She soon becomes his wife, and convinces him to take her (and the one girl she spared, now a maid) to the capital, where the mountain man begins his new vocation: collecting heads for his wife, who uses them as props in her own personal melodramas. Soon, Wakayama (his character has no name) becomes a feared figure in the city, and his wife’s collection of heads grows and grows. But how long can it last? Read More »

Masahiro Shinoda – Kaseki no mori AKA The Petrified Forest (1973)

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Synopsis:
Based on novel by Shintaro Ishihara, this is a human drama about the complex relationship of parent and child. Haruo spends his time working in a university hospital when he meets a childhood friend. On the other hand Haruo’s long estranged mother wishes to make amends with her lost son.

Review:
One day, a young medicine student Hauro Himoto (Ken’ichi Hagiwara) runs into his attractive ex-schoolmate Eiko Izawa (Sayoko Ninomiya) and they fall in love with each other in no time at all. The only obstacle which intrudes the couple is the owner of a barbershop who simultaneously is her lover and her employer and pesters Eiko out of his jealousy. Hauro and Eiko resolve to get rid of the insufferable male so that they can remain together without further complications… Read More »

Masahiro Shinoda – Himiko (1974) (HD)

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Quote:
An imagined life of the prehistoric Japanese Queen Himiko, based loosely on a few mentions in Chinese chronicles. Himiko is presented as the head priestess of the Sun Goddess cult and a spirit medium. This cult later was used by the Japanese Imperial family as their claim to rule. Himiko is made queen when the king is killed, but lets the men around her rule. She is then deposed and killed because she lusts after her half-brother, who is more interested in Adahime, who supports the Earth Goddess. Read More »