Pauline ‘Paulie’ Nevins is cheating on her husband Ralph Nevins, a land developer, with his sales manager E.V. ‘Marsh’ Marshall. When Paulie and Marsh meet up for a secret rendez-vous in a lovers’ lane they manage to overhear three criminals planning a jewelry heist. They hatch a plan to rob the thieves and run away together but Ralph starts to get suspicious of them. Continue reading
Plot Synopsis by Hal Erickson
Reminiscent of Destry Rides Again, this feature is about peaceable young lawyer Tom Brewster (Will Rogers Jr.), who sets up shop in a rowdy western town. Though perfectly able to wield a six-gun, Brewster refuses to use brawn when brain will do. He is galvanized into action when his old pal Wallace Ford is murdered by the villains. Brewster cleans up the town and wins the heroine (Nancy Olsen) in the bargain. One of two Will Rogers Jr. vehicles produced at Warner Bros. (the other was the life story of Rogers’ famous father), The Boy From Oklahoma served as the basis for Warners’ later TV series, Sugarfoot. Watch for a supporting appearance by a young and callow Merv Griffin! Continue reading
Noir of the Week review
What has Laura got that The Unsuspected hasn’t? All the romantic, mid-range melodramatic elements that make for an essentially safe, polished, none-too-threatening entertainment experience—a dynamic, exceptionally attractive couple in Gene Tierney and Dana Andrews; a marvelously b*tchy homme fatale in Clifton Webb; a celebrated score and theme song from David Raksin.
You won’t find any of these things in The Unsuspected. What you have instead is the noir mastery of director Michael Curtiz and cinematographer Woody Bredell, who take aspects of the Laura plotline into new levels of intricacy and darkness, fueled by an almost lapidary sense of frame and scene construction. The camerawork and lighting in The Unsuspected, particularly in the studio scenes (inside the Croton mansion where most of the action takes place) is possibly the most sublimely sinister cinematography in the entire noir canon. Continue reading
Mildred Pierce (1945) is a classic, post-war film noir mixed with typical soap-operish elements of the woman’s melodramatic picture or “weeper,” including a strand of a typical murder mystery often told by flashback. The family melodrama was significantly modified from its original source due to pressures of the Production Code regarding its sordidness – namely, the incestual behavior of the dissolute playboy character named Monte.
Famed Hungarian-born director Michael Curtiz (who had already directed many diverse film genres, including The Adventures of Robin Hood (1938), Angels With Dirty Faces (1938), Dodge City (1939), The Private Lives of Elizabeth and Essex (1939), The Sea Hawk (1940), Casablanca (1942), Yankee Doodle Dandy (1942), and This is the Army (1943)) shaped this significant film in the genre. Curtiz reluctantly began filming with ‘has-been’ star Joan Crawford, who had developed a reputation for being mannered and difficult, but was pleasantly surprised when she delivered one of the best performances of her career. Continue reading
It is the fifth anniversary of the death of Adolphe Noblet who died in a train wreck. His servant and friends still worship him but don’t care much for his wife Sylvaine’s second husband Gustave with whom she has recently had a child. Sylvaine’s friends recommend that she use a new hairdresser, Leopold Trebel. However, when this womanizing coiffeur arrives, he turns out to be Adolphe suffering from amnesia. A doctor restores his memory using hypnosis but in the process wipes out everything that has happened to him over the last five years. Adolphe thinks he has been unconscious for only a few hours and the doctor tries to keep the truth from him thinking the shock could kill him. This becomes even more difficult as Leopold’s wife, with whom he has had two sets of twins, shows up and insists he is Leopold. Gustave finally tells Adolphe/Leopold the truth and he is left with the decision of which man and in which family he wants to be. Written by Brian Cady Continue reading
IMDB User Reviews
20 April 2004 | by bullybyte (United Kingdom)
*** This review may contain spoilers ***
SPOILERS!! The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita. She has a boyfriend whom she loves very much. The student realises that if he marries the girl, he will be the son-in-law of a millionaire. He begins to prise the girl away from her boyfriend. There is some soul searching as the girl, now knowing who her real father is, must choose between her real family and her adopted family. But there is a happy ending with a memorable scene at the end where the bride, now back with her original boyfriend is being given away at her wedding by both her fathers. Continue reading
SYNOPSIS: Karl Muller and his foster brother, Stephan Brenner, leave their farm in the Austrian countryside, and travel to Vienna to study medicine. Karl is in love with his foster sister, Lottie Brenner, and would rather work as a farmer, but in deference to the wishes of his foster mother, Mrs. Brenner, he studies hard and is named valedictorian of his class. Stephan, on the other hand, enjoys drinking and flirting more than studying. One night, while drunk, he performs an illegal operation on his girl friend Anna. After she becomes very ill, he confesses everything to Karl, who agrees to try to help her, even though he does not yet have his license. While Karl is with Anna, she dies, and he takes full blame for the operation in order to spare Mrs. Brenner’s feelings. He is not allowed to graduate and spends time in prison. After he leaves prison, he returns home to find that Stephan has died. Karl is eager to return to farming, but after he successfully operates on a boy injured in an accident in front of the house, Mrs. Brenner convinces him to pose as Stephan and continue his work as a surgeon. Continue reading