Mikko Niskanen’s famous new wave film about the ’60s urban intellectuals who get faced in the Finnish countryside with loads of beer.
Review via Siffblog (Land of the Midnight Sauna: Part One, by Kathy Fennessy):
In regarding the Finnish New Wave, it’s tempting to look for antecedents to Aki Kaurismäki’s pitch-black comic style. On the basis of Mikko Niskanen’s Skin, Skin (1966) and Eight Deadly Shots (1972), however—I’ve also seen Jörn Donner’s Sixtynine 69 and Anna—Kaurismäki’s miserablist masterworks, like Drifting Clouds (1996) and The Man Without a Past (2002), seem more idiosyncratic than ever.
To be sure, humor abounds in Skin to Skin, AKA Skin, Skin, but it isn’t brushed with blackness, while Eight Deadly Shots is downright Bressonian in its tragic trajectory; humor isn’t part of the equation at all. Only six years separate the two, but they couldn’t have less in common, and feel like the products of separate sensibilities. (The NWFF will also be screening Niskanen’s Song of the Scarlet Flower from 1971.) Continue reading