Tsai Ming-liang’s delightfully shot film Walker, which could also work as a gallery installation, takes an unusual look at the bustling streets of Hong Kong as its features a series of stunningly shot scenes with at the centre a red-robed monk who walks at a snail’s pace. With traffic and pedestrians speeding around him the man (head intensely bowed, bare feet and holding a bread roll in one hand and a plastic bag in the other) walks only a step every minute. Continue reading →