Consisting of three separate stories, the director explores “Man” as a theme: birth, life and death, to present a sometimes comic, sometimes tragic portrait of life at the bottom of the socio-economic pile.
Review by Jonathan Rosenbaum:
An impressive, often powerful Iranian feature (1987, 95 min.) by Mohsen Makhmalbaf–who started out as an antishah activist and fiction writer–composed of three sketches dealing with the poor in Tehran (1987). The first, freely adapted from an Alberto Moravia story, follows the appalling misadventures of an impoverished couple with four crippled children as they try to get their fifth and latest child adopted, in the hope that she won’t wind up crippled as well. The second follows the equally pathetic life of a scatterbrained, spastic Jerry Lewis type who devotes his life to caring for his aged and senile mother. Read More »