In 1954, William Burroughs wrote that “Tangier is a vast overstocked market, everything for sale and no buyers.” Half a century later, circumstances in the city may have changed, but that same sentiment finds itself modulated by a cab driver as he tosses a portentous glance to Badia (Soufia Issami) and tells her that “Tangier only gives to foreigners.” The protagonist of Moroccan writer-director Leila Kilani’s On the Edge, Badia is a young woman who’s moved from Casablanca to Tangier to make a living. Hoping one day to land a job in the more prestigious factories of the city’s Free Zone, we see her at work in a less glamorous shrimp processing facility, where the sterile whitespace is marred by the orangish slime and grime of piles of shrimp shells. That kind of grime permeates the film and the dingy, noirish urban environments that Badia wends her way through. Continue reading
Marock is the 2005 Moroccan film by the female Muslim director Laila Marrakchi. The movie was very controversial as it deals with a Muslim/Jewish love between two high school mates, Rita and Youri. The film was 2006’s most successful film in Morocco, scoring more than 3 million dirhams at the Moroccan box-office, according to TelQuel.
The film was shown in Moroccan cinemas without being edited or censored. The title Marock is a play on words based on the French name of Morocco Maroc and Rock as in Rock’n Roll.
The universal language of youthful rebellion takes center stage in director Laïla Marrakchi’s tale of a Moroccan Muslim teen who falls for a handsome and progressive-minded Jewish boy. High school is drawing to a close for 17-year-old Rita (Morjana Alaoui) and her carefree friends, and as the footloose girls pound the pavement of Casablanca’s Anfa district, it seems that their summer of fun is already well under way. When Rita meets fun-loving Youri (Matthieu Boujenah) and the pair hit it off, her liberal Muslim family’s open-minds soon begin to close when they discover that their daughter’s new boyfriend is Jewish. Continue reading
A Thousand Months, the first full-length feature from Moroccan writer-director Faouzi Bensaïdi, sets out as if to offer us a winsome child’s-eye view of life in an Atlas mountains village in the early 1980s, as seven-year-old Mehdi (Fouad Labied) wonderingly observes the new moon that marks the start of the holy month of Ramadan. But the film soon develops into something more complex – more like a vivid North African reworking of Robert Altman’s Short Cuts. Of the various interlocking characters and events that make up the plot, several impinge only marginally on Mehdi. This tactic is a deliberate attempt to subvert our expectations. “I like to lure the audience along a path that seems to be marked out and reassuring,” Bensaïdi says, “only to make them lose it instantly. The centre keeps shifting and what seems to be the margin becomes the magnet that attracts all the rest to it, only to disappear and be replaced by other peripheral elements.” Continue reading
A movie from Morroco about street kids in casablanca.
Some voices from IMDB.
This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part Continue reading