Claire, a beautiful young actress, is in a comfortable relationship with Ethan, a filmmaker who aspires to make meaningful art films. She is his muse and they are finishing a project together. She accepts the lead role in a werewolf film to be directed by a talented young horror filmmaker named Ben. Ethan is instantly weary of her relationship with Ben and suspects she is more interested in fame than the pursuit of art.
As Clair and Ben prepare the werewolf film together, Ethan begins to spiral into depression and self-doubt. In retaliation against Claire, he casts her best friend, Charlie, also an actress, as his girlfriend in his new film. As both productions move forward, Claire’s life becomes more surreal and starts to resemble the werewolf film she is working on.
Inspired by Chekhov’s “The Seagull,” SILVER BULLETS examines the cinema and asks questions about art, commerce, power and desire. Using David Foster Wallace as a reference point, the film also explores fame, depression and suicide.
Sam (Joe Swanberg) has feelings for Juliette (Josephine Decker), the lead actress in a sexually explicit drama centered on a couple’s one night stand. He must maintain a professional relationship while directing her. All is going well until Juliette and her co-star Eric (Kent Osborne) develop feelings for each other that they explore off-camera. Sam is happy that his actors have such great chemistry, but simultaneously feels jealous. Juliette senses Sam’s shifting moods and does her best to show him affection, but his own inner struggles threaten to derail the production. Continue reading
“Tao Lin and Megan Boyle follow 17-year-old fashion blogger Bebe Zeva around Las Vegas for a night and film it on a MacBook.”
“In the film, which took one night to film and 24 hours to edit, Tao Lin and Megan Boyle follow Zeva around her home city of Las Vegas. Zeva plays the part of compliant diva, welcoming them into her lavish condo then taking them through casinos, malls and Planet Hollywood as she’s filmed by Lin and Boyle with a MacBook while they ask her questions like, “How many Twitter followers does the toilet have?” “Would you rather weigh 500 pounds or not have two arms?” “Who has the best internet nose?” Sometimes you can’t hear what they’re saying. Sometimes there are jarring sounds as if the MacBook hit a wall accidentally. And sometimes Lin and Boyle say things to each other out of Zeva’s earshot like, “let the silence go on and she’ll say something revealing….. Lin and Boyle seem less interested in traditional filmmaking than they do in capturing the kind of whimsical, low-stakes solipsism and staged hyper-self-awareness found on YouTube. ” Continue reading
“MDMA is a one-shot experiment that begins with Lin and Boyle taking the titular drug and, in what appears to be an unedited two-hour shot, meander around Manhattan, getting lost on the subway and ending up giving each other a sarcastically ironic interview while on the ferris wheel inside Times Square’s Toys ‘R Us.”
“MDMA is 1 hour 54 minutes, shot in real time using the camera from an APPLE MAC BOOK some time in late 2010 in New York City. The film follows Megan Boyle and Tao Lin throughout their experience of taking MDMA (sometimes called pure ecstasy or Molly) while they explore New York City…. The film is simple but not easy. The plot is executing and playing out an idea: Megan Boyle and Tao Lin take MDMA together and film themselves with a MACBOOK. It has no real point. Because of this detachment, the film is soothing because it creates a new kind of viewing. It feels equivalent as leaving music left playing from a record player in the background. I don’t feel obliged to anything while watching MDMA. I am just free to watch. Highly recommended.”
if you are unfamiliar with tao lin you might hate this movie!
Taken from NY Mag
His 2003 short My Josephine is a lovely, impressionistic look at an Arab man and woman who work in a laundromat, washing American flags for free. That may make it sound like a Message Movie, but it’s not. Told from the perspective of the lovelorn male in this relationship, this is a quiet, unassumingly lyrical film, shot with the kind of detail that reveals both the director’s understanding of human nature and his keen eye for evocative imagery. Continue reading
Barry’s BFA thesis film.
Barry Jenkins is a filmmaker born and raised in the inner-city of Miami. After completing a bachelor’s degrees in film and creative writing, he relocated to Los Angeles where he worked as a director’s assistant and development associate for Harpo Films. Barry currently resides in San Francisco, working for the rent check by day and writing, writing and writing by night. He is the writer-director of the short films My Josephine and Little Brown Boy. Medicine For Melancholy is his first feature film. Continue reading
Plot: Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, mostly with Kira, but vaguely with his curious lack of conscience as well. Kira, fighting to win a job she hates and running aimless romantic loops, faces the precarious double challenge of choosing a next step and charting a course back to sanity. Good luck leading with your heart, when your heart is an utter emotional idiot. Continue reading