In 1927, Don Lockwood and Lina Lamont are a famous on-screen romantic pair. Lina, however, mistakes the on-screen romance for real love. Don has worked hard to get where he is today, with his former partner Cosmo. When Don and Lina’s latest film is transformed into a musical, Don has the perfect voice for the songs. But Lina – well, even with the best efforts of a diction coach, they still decide to dub over her voice. Kathy Selden is brought in, an aspiring actress, and while she is working on the movie, Don falls in love with her. Will Kathy continue to “aspire”, or will she get the break she deserves? Continue reading
Andrea Passafiume wrote:
Ladies of the Chorus
Marilyn Monroe makes an early big screen appearance in director Phil Karlson’s 1949 entertaining B musical Ladies of the Chorus. In her first starring role, Monroe plays Peggy Martin, a young chorus girl in a burlesque show who works alongside her mother, Mae (Adele Jergens). When Peggy is pursued by wealthy society man Randy Carroll (Rand Brooks), Mae worries that class differences will doom the relationship and tries to protect her daughter from heartbreak.
When she made Ladies of the Chorus, Marilyn Monroe was a fresh new face in Hollywood still a few years away from megastardom. Monroe gives a solid self-assured performance without the breathy sexpot affectations that eventually became her signature style. The only film she ever made with Columbia Pictures, Ladies of the Chorus marked the first time Monroe sang and danced in a film, performing the enjoyable numbers “Anyone Can Tell I Love You” and “Every Baby Needs a Da Da Daddy.” Continue reading
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women’s Suffrage movement. Continue reading
One of the unknown Gatlif movies, a short one.
Best Short Film – Fiction (Meilleur court métrage de fiction)- Cesar 1983
Gatlif plays himself in this one…pretty nice to see the guy that made Vengo (another great one!) dancing in a red shirt…
The two happy fitters Eddy and Tommy are doing overtime to ensure the great travel-exhibition of the department store they work in is ready for display. Outside, they see a poor newspaper seller, who looks longingly at the beautiful things in the display window. So they simply decide to smuggle the unfortunate inside and compete to win her favor by giving her gifts from the shelves of the department store. In their frenzy of happiness, they don’t notice that the girl is taking the fun little game for the truth. When she realizes that she has to give back the alleged gifts, she runs away.
Synopsis: For this film adaptation of Peter Shaffer’s Broadway hit, director Milos Forman returned to the city of Prague that he’d left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese “urban legend” concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri–so disciplined, so devoted to his art, and so willing to toady to his superiors–not touched by God? Unable to match Mozart’s talent, Salieri uses his influence in court to sabotage the young upstart’s career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking “Requiem,” which eventually costs Mozart his health, wealth, and life. Among the film’s many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has “too many notes.” Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as “Amadeus: The Director’s Cut,” a version that includes 22 minutes of additional footage. -Hal Erickson (AMG) Continue reading
IMDB User Comment:
Viva Pagliacci! Viva Zeffirelli!
27 August 2006 | by Marcin Kukuczka (Cieszyn, Poland)
Ruggero Leoncavallo’s dramatic libretto, PAGLIACCI, has been brought to screen several times. The sad story of Canio, a traveling entertainer betrayed by his wife, Nedda, has touched the audiences for years. Let us mention the famous Enrico Caruso and the significant role of this opera in his career. Yet, nowadays, when you want to find a good operatic direction, particularly its form on screen, look for Franco Zeffirelli’s works. While seeing his works, you can expect nothing less than a masterwork. The talented Italian-international director Zeffirelli, in case of opera, is probably most known for his ultimate masterpiece, the screen adaptation of Giusseppe Verdi’s LA TRAVIATA (1981). What crowds there are who say that they began to love opera thanks to this one! Nevertheless, PAGLIACCI is equally worth attention, not only for opera fans and not only due to the fact that the same classical pair are cast (Teresa Stratas and Placido Domingo). Continue reading