Carlos Saura – Carmen (1983)

Carmen by Saura Carlos Saura   Carmen (1983)

29f7c043f76a2bde437fd0d52a185152 Carlos Saura   Carmen (1983)

synopsis

Director Carlos Saura’s Carmen develops a fictional story revolving around the rehearsals of Georges Bizet’s opera about the brash and colorful cigarette factory woman and her dalliance with the soldier Don José, and eventual love for Escamillo, the bullfighter. Saura introduces exciting flamenco dance scenes and a love story between Antonio (Antonio Gades), the choreographer of the opera, and the actress playing Carmen, Laura del Sol. Joan Sutherland and Paco de Lucía also perform segments from Bizet’s 1875 opera. The mix of magical choreography, rousing flamenco dances, and operatic insertions as well as the tongue-in-cheek parodies of the French opera and foreign stereotypes of Spaniards keeps most viewers well entertained throughout. Saura’s Carmen won an award for “Artistic Contribution” and for “Technical Achievement” at the Cannes Film Festival in 1983, another award for “Technical Achievement” at the 1983 Venice Film Festival, and the “Best Foreign Language Film” award at the 1984 British Academy Awards. It was the second in a trilogy of films choreographed in a similar style by Antonio Gades. Continue reading

Fred Zinnemann – Oklahoma! (1955)

xO6x52 Fred Zinnemann   Oklahoma! (1955)

29f7c043f76a2bde437fd0d52a185152 Fred Zinnemann   Oklahoma! (1955)

Plot Synopsis
Rodgers and Hammerstein’s 1943 Broadway music’s 1943 Broadway musical was considered revolutionary for a multitude of reasons, not least of which were the play’s intricate integration of song and storyline, and the simplicity and austerity of its production design. The 1955 film version of Oklahoma! retains the songs (except for Lonely Room and It’s a Scandal!, which are usually cut from most stage presentations anyway) and the story, but the simplicity is sacrificed to the spectacle of Technicolor, Todd-AO, and Stereophonic Sound. The story can be boiled down to a single sentence: a girl must decide between the two suitors who want to take her to a social. In her movie debut, 19-year-old Shirley Jones plays Laurie, an Oklahoma farm gal who is courted by boisterous cowboy Curley (Gordon MacRae) and by menacing, obsessive farm hand Jud Frye (Rod Steiger). Fearing that Jud will do something terrible to Curley, Laurie accepts Jud’s invitation to the box social. But it’s Curley who rescues Laurie from Jud’s unwanted advances, and in so doing wins her hand. On the eve of their wedding, Laurie and Curley are menaced by the drunken Jud. Continue reading

Joshua Logan – Paint Your Wagon (1969)

poster1fv9 Joshua Logan   Paint Your Wagon (1969)

29f7c043f76a2bde437fd0d52a185152 Joshua Logan   Paint Your Wagon (1969)

Summary:
“Ben and Pardner shared everything…even their wife!”

Marvin and Eastwood star as California prospectors during the Gold Rush of 1849-50. Eastwood is the calm, restrained one; Marvin is noisy and rambunctious. Marvin buys a wife, Seberg, from a local Mormon. Then, to make sure the lonely local miners will leave his new bride alone, he hijacks a wagonload of prostitutes and takes them to the prospectors in the mining town he has founded, No Name City, setting them up for business at a saloon. While Marvin is away, Eastwood and Seberg fall for each other; but when Marvin returns and discovers the affair, Seberg declares that she’d like them both as husbands.
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Federico Fellini – E la nave va aka And The Ship Sails On (1983)

51PaEzjtruL Federico Fellini   E la nave va aka And The Ship Sails On (1983)

29f7c043f76a2bde437fd0d52a185152 Federico Fellini   E la nave va aka And The Ship Sails On (1983)

Kevin: And the Ship Sails On is one of the last of Federico Fellini’s films, made at the twilight of his career. A lot of critics and even Fellini afficionados don’t give this film its full due; they see it as a morbid take on a past era, shot in morose shades of grey without the kind of elaborate camerawork and carnivalesque air that you find in his 60s films. We’re going to talk about a few of the things that we’ve picked up on in this movie that really make it stand out and worth considering.

Making Music without Rota

K: And the Ship Sails on happens to be the first film that Fellini had made without his longtime collaborator,the legendary composer Nino Rota. Which presents an irony since the film seems so preoccupied with the theme of music and examining music in all its power and mystery over people. Continue reading

Alan Parker – Pink Floyd: The Wall [Extras] (1982)

pinkfloydthewallduvar19 Alan Parker – Pink Floyd: The Wall [Extras] (1982)

29f7c043f76a2bde437fd0d52a185152 Alan Parker – Pink Floyd: The Wall [Extras] (1982)

The movie tells the story of rock singer “Pink” who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album “The Wall” by Pink Floyd, the film begins in Pink’s youth where he is crushed by the love of his mother. Several years later he is punished by the teachers in school because he is starting to write poems. Slowly he begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Continue reading

Ming-liang Tsai – Dong AKA The Hole (1998)

13038 Ming liang Tsai   Dong AKA The Hole (1998)

29f7c043f76a2bde437fd0d52a185152 Ming liang Tsai   Dong AKA The Hole (1998)

(From Allmovie Guide)

“At the 1998 Cannes Film Festival, this Taiwanese-French drama won a FIPRESCI Award, given by international critics. Taiwanese director Tsai Ming-liang previously won top awards for his 1994 Vive l’amour (at Venice) and 1996 The River (at Berlin). High strangeness is evident in the tale, originally initiated as part of the French TV series of one-hour end-of-millennium dramas. As an epidemic spreads through Taipei, virus victims display odd symptoms. A man (Lee Kang-sheng) who runs a food store with few customers lives in a shabby building in a quarantined section, and a woman (Yang Kuei-mei) in the same building has a withdrawn existence. A plumber, checking a leak, makes a hole in the man’s floor and leaves; the man then observes his neighbors through the hole. The film features four musical fantasy sequences that recall Hong Kong musical films of the ’50s.” — Bhob Stewart Continue reading

pixel Ming liang Tsai   Dong AKA The Hole (1998)