François Girard – Thirty Two Short Films About Glenn Gould (1993)

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Synopsis:

As the title suggests, this dramatised documentary about the eccentric Canadian pianist Glenn Gould is broken up into thirty-two short films (mirroring the thirty-two part structure of Bach’s ‘Goldberg Variations’, the recording that Gould made famous), each giving us an insight into some aspect of Gould’s life and career. Out of respect for the music lead actor Colm Feore is never seen playing the piano, merely reacting to Gould’s own recordings, which are extensively featured Continue reading

Rufus Norris – London Road (2015)

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London Road documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy. Continue reading

Teo Hernandez – Salomé (1976)

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“Ce film n’est pas l’illustration d’un récit historique ou d’une pièce de théâtre mais il est structuré par sa dynamique propre et trois éléments basiques: la lumière, la couleur et la vitesse de projection. Par leur interaction il vise le regard du spectateur.
Le film propose un questionnement sur:
1) ce qu’il génère c’est-à-dire sa propre histoire;
2) l’imaginaire du spectateur et son regard;
3) le seul dehors questionné: le devenir de l’image qui est sa seule possibilité d’être. (…)
La musique utilisée n’illustre pas le film, mais elle propose un contrepoint à l’image et développe un parcours parallèle, parcours qui trouve par moments les points de suture, qui sont des cristallisations de chaînes de motivations provoquant et montrant la possibilité infinie d’interprétations d’une image.(…)” Continue reading

Charles Walters – Easter Parade (1948)

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Quote:
The film was originally to have starred Gene Kelly, but Kelly was injured just prior to production and Astaire, who had announced his retirement from film, was coaxed back to replace him. (Astaire would “retire” several more times over the next decade, but he would also go on to make a number of additional classic musicals in between retirements.) This film marked the major MGM debut of tap-dancer Ann Miller (who had previously been under contract to RKO), replacing Cyd Charisse, who also had to bow out of the production. Continue reading

Richard Elfman – Forbidden Zone (1980)

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Quote:
Oingo Boingo fans and midnight movie mavens will love this bizarre black-and-white feature packed with music, madness, and members of the Elfman clan. The story revolves around the Hercules family, who live in a house that just happens to hide a secret entrance to the Sixth Dimension in the basement. When daughter Frenchy (Marie-Pascale Elfman) skips school one afternoon, she finds herself irresistibly drawn to the forbidden door, and winds up a prisoner in this alternate world. King Fausto (Herve Villechaize), the diminutive leader of the Sixth Dimension, is enamored with the beautiful young Frenchy and keeps her in the same cell as his favorite concubines, despite the disapproval of Queen Doris (Susan Tyrrell). Continue reading

Julien Temple – The Great Rock ‘n’ Roll Swindle (1980)

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from imdb:
A rather incoherent post-breakup Sex Pistols “documentary”, told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make “a million pounds.” Silly and hard to follow at times, but worth seeing for some excellent Pistols concert footage, some wickedly amusing animated sequences, and Sid Vicious’ eerily prophetic performance of “My Way.” Continue reading