Rodgers and Hammerstein’s 1943 Broadway music’s 1943 Broadway musical was considered revolutionary for a multitude of reasons, not least of which were the play’s intricate integration of song and storyline, and the simplicity and austerity of its production design. The 1955 film version of Oklahoma! retains the songs (except for Lonely Room and It’s a Scandal!, which are usually cut from most stage presentations anyway) and the story, but the simplicity is sacrificed to the spectacle of Technicolor, Todd-AO, and Stereophonic Sound. The story can be boiled down to a single sentence: a girl must decide between the two suitors who want to take her to a social. In her movie debut, 19-year-old Shirley Jones plays Laurie, an Oklahoma farm gal who is courted by boisterous cowboy Curley (Gordon MacRae) and by menacing, obsessive farm hand Jud Frye (Rod Steiger). Fearing that Jud will do something terrible to Curley, Laurie accepts Jud’s invitation to the box social. But it’s Curley who rescues Laurie from Jud’s unwanted advances, and in so doing wins her hand. On the eve of their wedding, Laurie and Curley are menaced by the drunken Jud. Continue reading
“Ben and Pardner shared everything…even their wife!”
Marvin and Eastwood star as California prospectors during the Gold Rush of 1849-50. Eastwood is the calm, restrained one; Marvin is noisy and rambunctious. Marvin buys a wife, Seberg, from a local Mormon. Then, to make sure the lonely local miners will leave his new bride alone, he hijacks a wagonload of prostitutes and takes them to the prospectors in the mining town he has founded, No Name City, setting them up for business at a saloon. While Marvin is away, Eastwood and Seberg fall for each other; but when Marvin returns and discovers the affair, Seberg declares that she’d like them both as husbands.
Kevin: And the Ship Sails On is one of the last of Federico Fellini’s films, made at the twilight of his career. A lot of critics and even Fellini afficionados don’t give this film its full due; they see it as a morbid take on a past era, shot in morose shades of grey without the kind of elaborate camerawork and carnivalesque air that you find in his 60s films. We’re going to talk about a few of the things that we’ve picked up on in this movie that really make it stand out and worth considering.
Making Music without Rota
K: And the Ship Sails on happens to be the first film that Fellini had made without his longtime collaborator,the legendary composer Nino Rota. Which presents an irony since the film seems so preoccupied with the theme of music and examining music in all its power and mystery over people. Continue reading
The movie tells the story of rock singer “Pink” who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album “The Wall” by Pink Floyd, the film begins in Pink’s youth where he is crushed by the love of his mother. Several years later he is punished by the teachers in school because he is starting to write poems. Slowly he begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Continue reading
(From Allmovie Guide)
“At the 1998 Cannes Film Festival, this Taiwanese-French drama won a FIPRESCI Award, given by international critics. Taiwanese director Tsai Ming-liang previously won top awards for his 1994 Vive l’amour (at Venice) and 1996 The River (at Berlin). High strangeness is evident in the tale, originally initiated as part of the French TV series of one-hour end-of-millennium dramas. As an epidemic spreads through Taipei, virus victims display odd symptoms. A man (Lee Kang-sheng) who runs a food store with few customers lives in a shabby building in a quarantined section, and a woman (Yang Kuei-mei) in the same building has a withdrawn existence. A plumber, checking a leak, makes a hole in the man’s floor and leaves; the man then observes his neighbors through the hole. The film features four musical fantasy sequences that recall Hong Kong musical films of the ’50s.” — Bhob Stewart Continue reading
Five hippies pitch their tent in the grounds of a young aristocrat’s estate. He befriends the group and accepts their offer to paint his house while he is away. To make money the group use the grounds to stage a pop festival.
Musical comedy. Herding pigs girl Glasha of the Russian countryside and the shepherd Musaib of Dagestani aul came to Moscow at the agricultural exhibition, meet there and fall in love at first sight. They will leave for a long time, and partial to Glasha fellow villager does not want to so just give the girl a distant opponent. Continue reading