SYNOPSIS: In 1895, amateur inventor Joe Belden, a resident of Willow Falls, Indiana, is scorned by almost everyone in town, except his mother, his best friend, Ben Parrot, and his sweetheart, Liz Bullitt. Joe’s latest, and most ambitious, invention is a gasoline-burning horseless carriage he is building in his mother’s barn. He is overjoyed when his “gasomobile” finally starts up, but his jubilation is short-lived as the barn soon catches fire. After the volunteer fire department, which is headed by Joe, finally puts out the fire, the worried pharmacist, Horace Antler, refuses to sell Joe more gasoline, and Harvey Bullitt, Liz’s gruff father, angrily tells him to stay away from her. Read More »
A drab woman scientist, working on machine to harness solar energy, and a pert concert singer look-alike being courted to play her in a movie swap identities and find personal growth, professional success, love, and happiness. Read More »
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Read More »
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim’s supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music’s the thing. Read More »
“Der Herr auf Bestellung – the gentleman who can be booked” has the Weimar dream team of Walter Reisch as scriptwriter, Geza von Bolvary as director and most importantly, the incomparable Willi Forst as main actor.
This ‘musical burlesque’ tells about a stylish young gentleman (Willi Forst) who works as a so-called ‘Festredner’; an untranslatable term, it indicates a person who makes speeches at important events like marriages etc. for people who don’t feel able to do it themselves. Willi lends his voice to a speech-impaired professor (Paul Hörbiger), but the baroness (Trude Lieske) who falls in love with Hörbiger only does so because of Willi’s voice, and you can guess that this leads to all sorts of complications… Read More »
I don’t hesitate to call “Das Lied ist aus” one of the great masterpieces of early German cinema. It is one of the best and most stylish of all the Weimar musical sound films, and it’s unusual for its strongly melancholic undertone and unhappy ending. It can also be regarded as one of the defining films for the team of actor Willi Forst, director Geza von Bolváry and scriptwriter Walter Reisch. Forst fully established his screen persona here: the witty, elegant, but also fragile and thoughtful gentleman, although he was a much too versatile actor to be pinned-down to such keywords. Forst is paired here with the equally stunning Liane Haid, very charming and womanly, and the chemistry these two have has rarely been achieved again in later films with Forst (but check out “Der Prinz von Arkadien” with the same team!). Read More »
A transgender punk-rock girl from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs. Read More »