Rafael Baledón – El pantano de las ánimas aka Swamp of the Lost Souls (1957)

 Rafael Baledón   El pantano de las ánimas aka Swamp of the Lost Souls (1957)

thgc Rafael Baledón   El pantano de las ánimas aka Swamp of the Lost Souls (1957)

A small Mexican village faces the disappearance of a corpse. The dead man’s brother goes out to find his detective friend, a cowboy. However, he is killed by a gang that seeks to get the insurance money from the policy put on the dead man by his aunt. Meanwhile, a strange fish-man monster is stalking our heroes with the intent to kill! Can the cowboy solve the mystery in time?
Continue reading

Claude Chabrol – Les biches aka Bad Girls [+Extras] (1968)

jbpe Claude Chabrol   Les biches aka Bad Girls [+Extras] (1968)

thgc Claude Chabrol   Les biches aka Bad Girls [+Extras] (1968)

By Roger Ebert / January 16, 1969

Claude Chabrol’s “Les Biches” depends almost entirely on style, and as style it succeeds. He is not so much interested in his story as in how to tell it. He favors muted colors, mostly pastels, and many of his scenes are shot in the light of late afternoon.

His characters fit these colors and moods; they seem in a trance sometimes, moving slowly, speaking absently. And his camera movement is meticulously planned. We notice scenes where the camera and the actors move together in a sort of minuet. Three or four shots, using steps we don’t see or mirrors we don’t expect, have the grace of dance.

Chabrol is often considered the father of the French New Wave. He is known over here for “Les Cousins” (1959), “Les Bonnes Femmes” (1960) and last year’s “The Champagne Murders.” Unlike his colleagues in the New Wave (Godard, Truffaut, Resnais) he has steered away from politics and into a very smooth, almost ethereal directing style. “Les Biches,” a success at the 1968 New York Film Festival, ranks with his best work. Continue reading

William Castle – Voice of the Whistler (1945)

02rx William Castle   Voice of the Whistler (1945)

thgc William Castle   Voice of the Whistler (1945)

Plot Synopsis by Sandra Brennan
In this drama based on a popular radio series, a millionaire believes he has six months left to live and so marries his nurse. She doesn’t love him, but he has promised to make her the sole heir to his fortune. She leaves her real fiancé for the ailing magnate with the promise that she will return a rich woman. After the wedding, they move to a lonely lighthouse where the woman finds herself falling in love with her husband after he miraculously recovers. Things are fine until the jealous, jilted fiancé comes to try and kill the millionaire. He ends up being killed by the husband who is sentenced to die in the electric chair. The woman is left to live alone in the lighthouse. Continue reading

pixel William Castle   Voice of the Whistler (1945)