The career of Federico Fellini lasted for forty years and made him perhaps the most illustrious of all the filmmakers to have come out of Italy. Those forty years saw the appearance of titles that have carved out a permanent niche in the memory of generations of film lovers. Fellini, a richly illustrated book written and edited by Sam Stourdzé, Director of the Musée de l’Elysée in Lausanne (Switzerland), taps into the sources of his fertile imagination and brings the vital power of his work into the limelight providing insight into the obsessions and motivations of the man behind La Strada, La Dolce Vita and 8¿. Read More »
Elizabeth, a voluptuous, shy and unpopular girl, is the object of ridicule at school by the cool in-crowd. Her life spirals downward after the death of her only friend, her grandmother. But she has a crush on a popular boy at school, and a deranged plan to make all her dreams come true! Read More »
Virtuoso application of digital techniques in a feature combining the genres of film noir, art film and porn. Man condemned to death and on the run (Thom Hoffman) has a last intense sexual relationship (with porn actress Mai Hoshimo).
Ian Kerkhof’s new film boldly clashes genre conventions in a digital melt that seeks to invent a new form of film-making appropriate to the new digital age. On this occasion he is working with a Japanese producer and shooting in Japan with the enormously flexible and light DV camera, ‘re-mixing’ his material on the infinitely flexible AVID editing equipment to create a film for the big screen.No surprise, this determined renegade film-maker takes the opportunity to mix crime film, art film and porn movie. Read More »
The film tells the story of sixteen-year-old Nena, who is confronted with the suicide attempt of her handicapped father. At the same time she falls head over heels in love for the first time in her life with Carlo, whose father has just outed himself. Away from prying eyes of the adults – who struggle with failed marriages, blossoming love and insufferable physical decline – they push the boundaries of their friendship, love and sexuality. But while discovering her own lust for life, Nena realizes that her father’s existence is becoming more and more unbearable. Read More »
A bored-to-death Dutch teenage girl from the sticks seems to be waiting for an adolescent-age Godot in Supernova, the second feature as a director of Dutch actress Tamar van den Dop, who here co-stars as the girl’s mother.
Resolutely arthouse in its approach, this adaptation of a novel by Flemish author Bo Van Ranst won’t exactly set the box-office alight anywhere but offers more proof of the directorial talents of van den Dop and the serious range and sheer star power of Gaite Jansen (The Cost of Sugar, Tricked) who essentially has to shoulder the burden of making teenage boredom look interesting. The film had its world premiere in the Generation sidebar at the recent Berlin Film Festival and should be appreciated at other festivals as well. It opened commercially in the Netherlands April 17. Read More »
After winning top awards in Montreux, Utrecht, and St. Petersburg for THE WAITING ROOM, followed by the Grand Prix at the Mediawave festival in Györ (Hungary) for THE GAS STATION, Jos Stelling completed his Erotic Tales trilogy with THE GALLERY. Stylistically they’re all connected: each is narrated visually without dialogue, each makes merry fun of an embarrassing erotic fantasy in a public place, and each features the same likeable fall-guy – Belgian actor Gene Bervoets – as the hero always ready and willing to strut his manhood like a peacock in heat. In THE GALLERY Gene finds himself the sensual object of a beautiful woman’s desire. So when, suddenly and unexpectedly, she begins to strip for his pleasure … one good turn deserves another … (IMDb) Read More »
During a traffic jam, a man flirts with another driver.
Jos Stelling (1945) made his debut as a director with Mariken van Nieumeghen in 1974. The film was selected for Cannes in 1975. Since then he has been writing and directing eight feature films. For his short film The Waiting Room (1996) Stelling was awarded a Golden Rose (Press Award) in Montreux, a Golden Gryphon in St. Petersburg as well as his fourth Gouden Kalf (GoldenCalf, the Dutch film award). Read More »